On 1997, the song "Paye Dhori Minoti Kori" was released by Rizia Parvin. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Sheikh Sadi Khan's "Komolar Bonobas (Original Motion Picture Soundtrack)" album is number 6 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Paye Dhori Minoti Kori is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Paye Dhori Minoti Kori by Rizia Parvin to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moner Manush | Mahmud Juwel, Rizia Parvin | G Major | 7 | 9B | 82 BPM | ||
| Maghi Song Naya Sal Ho Hamar | Raj Kusmy, Sonu Qushmi | C Minor | 9 | 5A | 124 BPM | ||
| Oporadhi Pola Re | Sorna | D♭ Major | 7 | 3B | 130 BPM | ||
| Neel Projapoti | Palash, Rizia Parvin | A♭ Minor | 8 | 1A | 130 BPM | ||
| Jodi Ek Mutho Prem | S I Tutul, Rizia Parvin | F♯ Major | 9 | 2B | 120 BPM | ||
| Sada Kapode | Pousali Banerjee | F Minor | 7 | 4A | 112 BPM | ||
| Shorom Koro Keno | Rizia Parvin | D♭ Major | 9 | 3B | 190 BPM | ||
| Doshi Ho Ki Najar Mero | Swaroop Raj Acharya, Nikhita Thapa | F Major | 7 | 7B | 82 BPM | ||
| Buker Vitor | S I Tutul, Kanak Chapa | C Minor | 9 | 5A | 136 BPM | ||
| To Hrudaya Tale Mun Kinichi Jami Female | Pragyan Hota | E Major | 9 | 12B | 116 BPM | ||
| Tumi Dekhita Sundor Tomar Valo Nai Ontor | Rizia Parvin | B Major | 9 | 1B | 91 BPM | ||
| Tumi Hobe Bougo | Baby Naznin, Kanak Chapa | C Minor | 9 | 5A | 99 BPM | ||
| Shamma Se Parwana Ke | Khushboo Jain, Ghunghuru Ji | D♭ Minor | 8 | 12A | 104 BPM | ||
| Bachi Na Re | Rizia Parvin, Asif Akbar | D♭ Major | 10 | 3B | 143 BPM | ||
| Piriter Mormo Bujhlina | Rizia Parvin, Mahmud Jewel | E Major | 9 | 12B | 176 BPM | ||
| Ontore Jar Prem Ache | Andrew Kishore, Monir Khan, Rizia Parvin | F Major | 8 | 7B | 102 BPM | ||
| Ami Hote Chai Tomar | Rizia Parvin, M A Khalek | A♭ Minor | 10 | 1A | 64 BPM | ||
| Mone Koro Ami Nei | Liza | E♭ Minor | 6 | 2A | 166 BPM | ||
| Paina Toke (feat. Imran) | Milon, Konal, Imran Mahmudul | B♭ Minor | 5 | 3A | 82 BPM | ||
| Ek Jibane | Subhamita | A♭ Minor | 9 | 1A | 80 BPM | ||
| Vande Mataram - From "Operation 12/17" | Satyajeet Pradhan, Nirmal Nayak, Baidyanath Dash | A Major | 9 | 11B | 108 BPM | ||
| Je Ador Bujhe Na | Sathi Khan | E♭ Minor | 5 | 2A | 127 BPM | ||
| Age Janle Prem Kortam Na | Baul Sukumar | E Major | 5 | 12B | 178 BPM | ||
| Tu Mazach Re Janu | Bablu Patil, Kajal Ravtya | F♯ Minor | 10 | 11A | 185 BPM | ||
| Sapno Aayo Raten | Anil Chavhan | E Minor | 9 | 9A | 112 BPM |