堀諭史's 'Escaping the Pit' had a release date set for February 1, 2017. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 81 in the song's album "RESIDENT EVIL 7 biohazard Original Soundtrack". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Japan. Based on our statistics, Escaping the Pit's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Escaping the Pit by 堀諭史 having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything is a Story | Masaru Yokoyama | B Minor | 4 | 10A | 99 BPM | ||
| Battle of the Twin Demons | T’s MUSIC | E Minor | 9 | 9A | 150 BPM | ||
| Gravity Rush 2 | SIE Sound Team, 田中公平 | G Major | 7 | 9B | 98 BPM | ||
| Monster Hunter Stories | Marika Suzuki, Hiromitsu Maeba | D♭ Major | 6 | 3B | 65 BPM | ||
| 光蝕む外套 ~ ゴア・マガラ | Capcom Sound Team | D Major | 7 | 10B | 140 BPM | ||
| Banquet in the Snow - Lunar Terrace | Akiyuki Morimoto | B Minor | 8 | 10A | 144 BPM | ||
| Ancient Forest : Medium Monsters Abound | YUKO KOMIYAMA | D♭ Major | 3 | 3B | 149 BPM | ||
| The Decisive Battle of the Ring of Time | SCARLET NEXUS Sound Team | D♭ Major | 9 | 3B | 106 BPM | ||
| It Ends Here | 石元丈晴, 佐藤 賢太郎 | E Minor | 8 | 9A | 150 BPM | ||
| 朱に染むる夜宴/メル・ゼナ | 堀諭史 | F Major | 5 | 7B | 112 BPM | ||
| 落花繽紛/花畑(G級の狩猟曲) | Hideyuki Fukasawa | D Major | 9 | 10B | 187 BPM | ||
| 太陽は昇る | 竹岡智行 | A Minor | 7 | 8A | 90 BPM | ||
| 果てなく続く紺碧の先を眺めて | 堀諭史 | F Major | 5 | 7B | 112 BPM | ||
| Apostles of Evolution (Phase 2) | Lies of P | D Major | 8 | 10B | 77 BPM | ||
| Battle Trance | Clark Aboud | E Minor | 3 | 9A | 135 BPM | ||
| The Eagle's Curse | Chad Cannon, Bill Hemstapat | C Major | 0 | 8B | 98 BPM | ||
| Surging and Fading Light | Masahiro Ohki | C Minor | 6 | 5A | 69 BPM | ||
| Journey to the Truth | Zhenlan Kang | F♯ Major | 1 | 2B | 80 BPM | ||
| Staunch Opponent - ARISE version | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 5 | 7B | 80 BPM | ||
| Flight from the Mines | Maiko Katagiri, グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | C Major | 5 | 8B | 76 BPM | ||
| Devourer of Chaos | Mana Ogura | C Minor | 6 | 5A | 69 BPM | ||
| Proof of a Hero - Rise Version | 堀諭史 | G Minor | 2 | 6A | 128 BPM | ||
| For the Greater Good: Zellard | Yoshitaka Suzuki | B♭ Minor | 2 | 3A | 82 BPM | ||
| GBVS Main Theme | Tsutomu Narita | G Major | 7 | 9B | 86 BPM | ||
| 2018 Kickstarter Trailer | Jose Pavli | B Minor | 7 | 10A | 117 BPM |