"Last Remaining Light" by Sylosis had its release date on October 24, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 14 in Conclusion of an Age by Sylosis. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Last Remaining Light is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Last Remaining Light by Sylosis is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| World Eater | Feared | B Minor | 10 | 10A | 91 BPM | ||
| Stress and Colours | Eye of the Enemy | F♯ Minor | 9 | 11A | 140 BPM | ||
| Beautiful Mourning | Machine Head | G Major | 10 | 9B | 151 BPM | ||
| The Hurt That Finds You First | Meshuggah | E♭ Minor | 10 | 2A | 125 BPM | ||
| Plight of the Soul | Sylosis | E Minor | 10 | 9A | 123 BPM | ||
| Anarchaos | Divine Heresy | D♭ Minor | 10 | 12A | 115 BPM | ||
| Returning to the Source | Persefone | G Minor | 10 | 6A | 120 BPM | ||
| Sigma | Elysian | B♭ Minor | 10 | 3A | 161 BPM | ||
| What Dwells Within | Sylosis | B Minor | 10 | 10A | 114 BPM | ||
| Melior | I Killed The Prom Queen | E Minor | 10 | 9A | 110 BPM | ||
| Blue Sky Thinking | Monuments | D♭ Major | 9 | 3B | 139 BPM | ||
| God in the Frame | Bleed The Sky | B Major | 10 | 1B | 158 BPM | ||
| At War with Reality | At The Gates | G Major | 10 | 9B | 107 BPM | ||
| Victims and Pawns | Sylosis | B Major | 10 | 1B | 176 BPM | ||
| Denounced, Disgraced | The Black Dahlia Murder | G Major | 10 | 9B | 105 BPM | ||
| Liquid Wings | Disarmonia Mundi | D♭ Minor | 10 | 12A | 97 BPM | ||
| Pitch Black Progress | Scar Symmetry | A Major | 10 | 11B | 142 BPM | ||
| Doomsayer (The Beginning Of The End) | Darkest Hour | C Minor | 10 | 5A | 131 BPM | ||
| The Siren's Song | Parkway Drive | D♭ Minor | 10 | 12A | 100 BPM | ||
| Wrath Upon Ourselves | As I Lay Dying | D♭ Major | 9 | 3B | 177 BPM | ||
| Horcrux | Monuments | G Minor | 9 | 6A | 108 BPM | ||
| Regenesis | Textures | E♭ Minor | 9 | 2A | 148 BPM | ||
| Timewave Zero | Scar Symmetry | G Major | 10 | 9B | 200 BPM | ||
| Carriers of the Plague | Psycroptic | G Major | 10 | 9B | 120 BPM | ||
| Never...Again | All Shall Perish | G Major | 10 | 9B | 140 BPM |