Circle Takes the Square's 'Interview at the Ruins' had a release date set for January 6, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 8 in As the Roots Undo by Circle Takes the Square. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Interview at the Ruins's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Interview at the Ruins by Circle Takes the Square is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarissa Explains Cuntainment | The Number Twelve Looks Like You | C Major | 9 | 8B | 90 BPM | ||
| "Mayday! Mayday!" Cried the Captain | me and him call it us | F♯ Major | 10 | 2B | 73 BPM | ||
| Loft Party | Orchid | F Minor | 8 | 4A | 120 BPM | ||
| We Become Buried | Funeral Diner | C Major | 8 | 8B | 121 BPM | ||
| Swingsets and Frozen Grapes | Kidcrash | E♭ Minor | 8 | 2A | 141 BPM | ||
| Old Wounds | State Faults | D Major | 9 | 10B | 127 BPM | ||
| Witch Hunt Scene from Star Trek | Angel Hair | F♯ Minor | 9 | 11A | 136 BPM | ||
| Song In A | Julia... | B Minor | 3 | 10A | 88 BPM | ||
| Eating Lightning Pt. I | The Jonbenét | D♭ Major | 10 | 3B | 170 BPM | ||
| Headless, Sleeping Soundly | Love Lost But Not Forgotten | F Minor | 7 | 4A | 173 BPM | ||
| This is Me Getting Stronger | Joshua Fit For Battle | A Minor | 3 | 8A | 125 BPM | ||
| Punk rock in the wrong hands | Pageninetynine | A♭ Major | 9 | 4B | 132 BPM | ||
| Ambulance vs. Ambulance | The Blood Brothers | D♭ Major | 10 | 3B | 123 BPM | ||
| Portraits Hung In Empty Halls | A Long Winter | G Minor | 7 | 6A | 111 BPM | ||
| I Would Hurt A Fly | Let Them Eat Horses | G Major | 10 | 9B | 143 BPM | ||
| The Orchard | Ostraca | C Major | 9 | 8B | 110 BPM | ||
| Comedy of Christ | Pageninetynine | A Major | 9 | 11B | 135 BPM | ||
| Apathy Is a Cold Body | Poison The Well | D Major | 9 | 10B | 130 BPM | ||
| These Hands | Majority Rule | D♭ Major | 8 | 3B | 123 BPM | ||
| Where the Circle Ends | Thursday | D Minor | 5 | 7A | 127 BPM | ||
| Not Waving But Drowning | I Hate Myself | D Major | 7 | 10B | 92 BPM | ||
| Wonderful Wizard of LSD | Duck Duck Goose | F♯ Minor | 9 | 11A | 95 BPM | ||
| Your Sun Is a Destroyer | I Create | G Minor | 6 | 6A | 143 BPM | ||
| Hypothetical Basking Shark | Kidcrash | F♯ Minor | 7 | 11A | 88 BPM | ||
| Destination: Blood! | Orchid | E Major | 10 | 12B | 90 BPM |