Chapter 51 - Do-Over - Could going back to square one be the best thing that ever happened? by Phoebe MacLeod, Victoria Fox Song Details

Phoebe MacLeod, Victoria Fox's 'Chapter 51 - Do-Over - Could going back to square one be the best thing that ever happened?' had a release date set for November 28, 2024. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 51 out of 137 in Do-Over [Could going back to square one be the best thing that ever happened? (Unabridged)] by Phoebe MacLeod. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Chapter 51 - Do-Over - Could going back to square one be the best thing that ever happened? is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of Chapter 51 - Do-Over - Could going back to square one be the best thing that ever happened? by Phoebe MacLeod, Victoria Fox is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -23.193 dB
Acousticness: 82%
Danceability: 63%
Energy: 26%
Instrumentalness: 0%
Liveness: 22%
Loudness: 61%
Speechiness: 95%
Valence: 30%

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