"Maria Would Have Liked You" by Joseph Trapanese, Max Davidoff-Grey had its release date on October 31, 2025. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Maria Would Have Liked You's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "The Witcher: Season 4 (Soundtrack from the Netflix Original Series)". In this album, this song's track order is #17. Based on our statistics, Maria Would Have Liked You's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maria Would Have Liked You by Joseph Trapanese, Max Davidoff-Grey having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rescued | Mac Quayle | B♭ Major | 1 | 6B | 63 BPM | ||
| Stringing the Bow | Rachel Portman | G Minor | 1 | 6A | 57 BPM | ||
| Greatest Love | Taran Mitchell | B Major | 4 | 1B | 147 BPM | ||
| Yanuni | H. Scott Salinas, Tomás Videla | B♭ Major | 1 | 6B | 63 BPM | ||
| I Am a Father | Joseph Trapanese, Max Davidoff-Grey | G Major | 4 | 9B | 150 BPM | ||
| The Truth Cannot Be Exposed | Joseph Trapanese, Max Davidoff-Grey | G Major | 4 | 9B | 150 BPM | ||
| Glintwood Hollow | Austin Wintory | G Minor | 1 | 6A | 88 BPM | ||
| Healing Montage | Trevor Morris | F Minor | 1 | 4A | 80 BPM | ||
| Torching the Flock | Nathan Johnson | C Major | 2 | 8B | 132 BPM | ||
| Legacy of the Fremen | Knut Avenstroup Haugen, The Chamber Orchestra Of London | D Minor | 1 | 7A | 69 BPM | ||
| Lavender And Laurels | Dynamedion | F Major | 3 | 7B | 75 BPM | ||
| The Congregation Vote | Rob Lane, The Chamber Orchestra Of London | G Major | 1 | 9B | 119 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| Headstones | Thomas Newman | C Major | 2 | 8B | 184 BPM | ||
| Diferencias Estrechas | Hasta El Final | A Minor | 3 | 8A | 108 BPM | ||
| Saima | James Everingham | F Minor | 0 | 4A | 83 BPM | ||
| Skipping the Pleasantries | Joseph Trapanese, Max Davidoff-Grey | B♭ Major | 1 | 6B | 132 BPM | ||
| Something is Shifting | Joseph Trapanese, Max Davidoff-Grey, Jason Lazarus | G Major | 1 | 9B | 95 BPM | ||
| Late Wee Pups Don't Get to Bark | Sonya Belousova, Giona Ostinelli, Lindsay Deutsch | D Minor | 2 | 7A | 125 BPM | ||
| Malediction | Matheo | B Minor | 6 | 10A | 80 BPM | ||
| You Didn't See It Coming? | The Duology, Taylor Ash, Lindsay Dills | B♭ Major | 1 | 6B | 63 BPM | ||
| My Heart Will Be With You | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Lotus Petals | Frederik Wiedmann | G Minor | 1 | 6A | 58 BPM | ||
| Corruption | Swik | F♯ Minor | 3 | 11A | 100 BPM | ||
| The Hansa | Joseph Trapanese, Max Davidoff-Grey, Percival Schuttenbach, Declan de Barra | F Major | 4 | 7B | 84 BPM |