On May 19, 2017, the song "No Soy Tu Novio" was released by Pablo Garcia, Camilo Sánchez. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in No Soy Tu Novio and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from United States. The popularity of No Soy Tu Novio is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With No Soy Tu Novio by Pablo Garcia, Camilo Sánchez having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orlando furioso, RV 728 (Excerpts): Nel profondo cieco mondo | Antonio Vivaldi, Filippo Mineccia, The New Baroque Times, Pablo Garcia | D Major | 2 | 10B | 123 BPM | ||
| Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
| Albinoni: Violin Concerto in F Major, Op. 9 No. 10: II. Adagio | Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti | B♭ Major | 1 | 6B | 174 BPM | ||
| Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": I. Andante - Allegro - Adagio - Andante - Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | B♭ Major | 0 | 6B | 59 BPM | ||
| Concerto in D Minor, for Two Violas da Gamba - "Tango": I. Allegro ostinato | René Duchiffre, Apollo's Fire, Jeannette Sorrell | D♭ Minor | 2 | 12A | 81 BPM | ||
| Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
| La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | B Minor | 7 | 10A | 154 BPM | ||
| Oboe Concerto in F Major, BWV 1053R: I. (Allegro) | Johann Sebastian Bach, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | F Major | 3 | 7B | 173 BPM | ||
| La Cama Es Un Ring | Alberto Gezz, Pablo Garcia | D Major | 4 | 10B | 100 BPM | ||
| Oboe Concerto in C Minor: III. Allegro | Matthaus Nikolaus Stulick, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 65 BPM | ||
| Gli orti esperidi: “Giusto Amor tu che m’accendi” | Nicola Porpora, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | D♭ Major | 2 | 3B | 103 BPM | ||
| Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | ||
| Rinaldo, HWV 7a: Ouverture | George Frideric Handel, Freiburger Barockorchester, Vivica Genaux, René Jacobs | D♭ Minor | 4 | 12A | 81 BPM | ||
| Rinaldo, HWV 7, Act II Scene 4: Aria. Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 91 BPM | ||
| Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
| Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
| Symphony in E-Flat Major, W. I/10: III. Allegro assai | Johann Christoph Friedrich Bach, Concerto Köln | A Major | 2 | 11B | 120 BPM | ||
| Symphony No. 2 in A Major: I. Allegro assai | William Boyce, The English Concert, Trevor Pinnock | A♭ Major | 2 | 4B | 116 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Ara excelsa, ara pretiosa" (Moyses) | Johann Adolf Hasse, Thibault Noally, Les Accents, Philippe Jaroussky | F♯ Minor | 2 | 11A | 135 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
| Crispo: Aria "Strazio, scempio, furia e morte" | Giovanni Bononcini, Eva Zaïcik, Le Consort | A♭ Major | 3 | 4B | 118 BPM | ||
| Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 70 BPM | ||
| Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): I. Salve Regina | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Minor | 1 | 8A | 93 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Suite Premiere - I. Ouverture (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Minor | 3 | 2A | 104 BPM |