Bayside's ' "Alcohol And Alter Boys" was released on its scheduled release date, January 27, 2004. Alcohol And Alter Boys is considered explicit and may contain foul language. This song is about 3 minutes and 3 seconds, which is about the average length of a typical song. There are a total of 11 in the song's album "Sirens And Condolences". In this album, this song's track order is #5. In terms of popularity, Alcohol And Alter Boys is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Alcohol And Alter Boys by Bayside having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Timberwolves At New Jersey - Remastered | Taking Back Sunday | C Major | 7 | 8B | 90 BPM | ||
| Open Up | Punchline | D♭ Minor | 9 | 12A | 108 BPM | ||
| Left With Alibis And Lying Eyes | Emery | F♯ Major | 9 | 2B | 166 BPM | ||
| Cannibal Girl | Head Automatica | D♭ Minor | 9 | 12A | 79 BPM | ||
| Twenty Below | Hidden In Plain View | G Major | 9 | 9B | 102 BPM | ||
| Dinner At The Money Table | The Early November | F♯ Major | 4 | 2B | 100 BPM | ||
| The Bradley | Further Seems Forever | B♭ Minor | 9 | 3A | 146 BPM | ||
| Smashed Into Pieces | Silverstein | F♯ Minor | 7 | 11A | 92 BPM | ||
| Tool Sheds And Hot Tubs | Straylight Run | C Major | 9 | 8B | 137 BPM | ||
| Fluxy | The Early November | F♯ Minor | 9 | 11A | 192 BPM | ||
| Carry On | Bayside | A♭ Major | 9 | 4B | 125 BPM | ||
| Dear Your Holiness | Bayside | E♭ Major | 9 | 5B | 170 BPM | ||
| Jamestown | The Movielife | A♭ Major | 10 | 4B | 94 BPM | ||
| Head On A Plate | Bayside | G Major | 9 | 9B | 125 BPM | ||
| More Than Local Boys | The Matches | C Major | 9 | 8B | 140 BPM | ||
| A Hole In The World | Thursday | B♭ Major | 8 | 6B | 160 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| Lilacs & Lolita | From Autumn To Ashes | G Major | 10 | 9B | 168 BPM | ||
| The Lament of Pretty Baby | Cursive | C Major | 9 | 8B | 149 BPM | ||
| Burn This City | Cartel | C Minor | 9 | 5A | 152 BPM | ||
| Walls | Emery | D♭ Minor | 9 | 12A | 169 BPM | ||
| Okay I Believe You, But My Tommy Gun Don't | Brand New | E♭ Minor | 6 | 2A | 111 BPM | ||
| Another Word For Desperate | Straylight Run | G Major | 6 | 9B | 143 BPM | ||
| Alice | Two Tongues | D Minor | 7 | 7A | 178 BPM | ||
| Drowning You in Fear | Scary Kids Scaring Kids | C Major | 9 | 8B | 160 BPM |