On March 18, 2018, the song "Take A Trip" was released by Ryan Rehm. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Thornton III Jenkins's "Lazy Afternoon" album is number 9 out of 21. In terms of popularity, Take A Trip is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Take A Trip by Ryan Rehm to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| The Buoyant Swordsman | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 4 | 7A | 106 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Clarinet & Saxophone Concerto: I. October Sky, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | G Minor | 5 | 6A | 74 BPM | ||
| The Dish | Star Trek - First Contact | D Major | 1 | 10B | 111 BPM | ||
| Vengance | Ryan Rehm | F Minor | 5 | 4A | 80 BPM | ||
| Spectral Awakening | Jason Solowsky | F Major | 2 | 7B | 85 BPM | ||
| Fog Rolling In | Aashish Pathak, Ryan Rehm | A Major | 3 | 11B | 93 BPM | ||
| Sin Fantasias | Armonias | A♭ Major | 4 | 4B | 125 BPM | ||
| Seres Imbatibles | Bellum Sanctus | C Major | 2 | 8B | 90 BPM | ||
| Le dernier Mercuès | Vladimir Cosma, Orchestre Symphonique De Paris | F♯ Minor | 0 | 11A | 82 BPM | ||
| Spying | Nico Muhly | F Minor | 1 | 4A | 144 BPM | ||
| Arrival on the Island | John Barry | F Major | 1 | 7B | 60 BPM | ||
| The Maltese Falcon | Moscow Symphony Orchestra, Adolph Deutsch, John Morgan | F Major | 1 | 7B | 117 BPM | ||
| Lord Oliver | Brian Tyler | A Major | 0 | 11B | 103 BPM | ||
| Touch of Norma (feat. The Swingles & Tomy Temerson) | Jeff Toyne, The Swingles, Tomy Temerson | A Major | 0 | 11B | 103 BPM | ||
| Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | A♭ Major | 4 | 4B | 80 BPM | ||
| Songbirds at Sunset | Oboe and Orchestra | D Minor | 0 | 7A | 147 BPM | ||
| Phalanx Suite: Epilog | R.Kuhn, Rüdiger Edgar Kuhn | A♭ Major | 4 | 4B | 123 BPM | ||
| The Sound of Bureaucracy Pt. II | Ola Kvernberg, Trondheim Symphony Orchestra | A Major | 0 | 11B | 103 BPM | ||
| Al Lado | Armonias | D Major | 1 | 10B | 91 BPM | ||
| Repeticiones | Nimetas | F♯ Major | 3 | 2B | 95 BPM | ||
| The Augury Is Complete | Benjamin Wallfisch | B♭ Major | 1 | 6B | 117 BPM | ||
| Tending To Huey | Peter Schickele | A Minor | 0 | 8A | 92 BPM | ||
| Modern Mayhem | Andy Zuckerman, Ryan Rehm | A Major | 0 | 11B | 103 BPM |