"Campfire - Up There - Water Trough - Gold-digging - Cave-in - Rescue" by Moscow Symphony Orchestra, Moscow Symphony Chorus, Dino Soldo, William T. Stromberg, Max Steiner, John Morgan had its release date on November 11, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Moscow Symphony Orchestra's "Max Steiner: The Treasure Of The Sierra Madre" album is number 6 out of 22. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Campfire - Up There - Water Trough - Gold-digging - Cave-in - Rescue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Campfire - Up There - Water Trough - Gold-digging - Cave-in - Rescue by Moscow Symphony Orchestra, Moscow Symphony Chorus, Dino Soldo, William T. Stromberg, Max Steiner, John Morgan to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
| Czech Suite, Op. 39: IV. Romance | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 176 BPM | ||
| Pan Voyevoda, Op. 59: IV. Mazurka | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 1 | 5B | 138 BPM | ||
| Red River: Dunson Heads South | Dimitri Tiomkin, Moscow Symphony Chorus, Moscow Symphony Orchestra, William Stromberg | C Major | 2 | 8B | 90 BPM | ||
| Violin Concerto, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, John Wilson, RTE Concert Orchestra, Andrew Haveron | A Major | 2 | 11B | 144 BPM | ||
| Rainbow Waltz (Arr. for Orchestra by Wolfgang Dörner) | Florence Beatrice Price, Wiener Philharmoniker, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 68 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": III. Molto vivace | Antonín Dvořák, Vlach Quartet Prague | F Major | 2 | 7B | 110 BPM | ||
| Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 125 BPM | ||
| La Bayadere, Act III: 42. "Entrance - Nikiya; Pas De Deux - Nikiya and Solor" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 0 | 11B | 178 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
| Les Sylphides: 1. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 99 BPM | ||
| Eine Alpensinfonie, Op. 64: II. Sonnenaufgang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A Major | 6 | 11B | 68 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 109 BPM | ||
| Ancient Airs And Dances - III. Siciliana | Ottorino Respighi, Raymond Dessaints, Ensemble Amati | C Minor | 0 | 5A | 105 BPM | ||
| Cello Concerto No. 2 In C Minor, Op. 77: I. Molto Sostenuto. Allegro Molto E Energico. Tempo I. Cadenza | Moscow Symphony Orchestra, Alexander Rudin, Dmitry Kabalevsky | G Major | 0 | 9B | 71 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| String Quartet No. 12 in F Major, Op. 96 'The American': III. Molto vivace | Antonín Dvořák, Škampa Quartet | F Major | 1 | 7B | 70 BPM | ||
| Cinderella Suite No. 1, Op. 107: IV. Fairy Godmother and Winter Fairy | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 1 | 3B | 69 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 0 | 7A | 126 BPM |