Lula Queiroga's ' "Padrões de Contato" was released on its scheduled release date, December 10, 2011. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Todo Dia É o Fim do Mundo". In this album, this song's track order is #9. Based on our statistics, Padrões de Contato's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Padrões de Contato by Lula Queiroga having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Esta Noite Serenô | Silvia Machete | D Major | 5 | 10B | 105 BPM | ||
| Amaralina | Comadre Florzinha | C Major | 4 | 8B | 139 BPM | ||
| Janaina | Otto | G Minor | 7 | 6A | 172 BPM | ||
| Pimenta Mumuíla | Mateus Aleluia, Thiago França, Lenna Bahule, Pastoras do Rosário | A Minor | 5 | 8A | 120 BPM | ||
| Rodopio | Luiz Tatit, Ná Ozzetti | B Minor | 5 | 10A | 152 BPM | ||
| O Gosto - Bonus Track | Chinelo de Couro | A Minor | 4 | 8A | 132 BPM | ||
| Amassar a Lataria | Totonho E Os Cabra, Otto, Ariane Molina, Victória dos Santos | C Major | 6 | 8B | 130 BPM | ||
| Vale Quanto Pesa | Luiz Melodia | D Minor | 6 | 7A | 142 BPM | ||
| Daqui Pracolá | Siba | B Minor | 7 | 10A | 120 BPM | ||
| Quem Vai Quem Vem | Cátia de França | A♭ Minor | 7 | 1A | 142 BPM | ||
| Lalari - Olalá | Los Sebosos Postizos | A Major | 4 | 11B | 79 BPM | ||
| Tristeza Não | Alzira E | B Minor | 4 | 10A | 141 BPM | ||
| Galope Rasante | Ceumar | E Minor | 5 | 9A | 160 BPM | ||
| Alinhamento Energético | Fafá de Belém | G Major | 5 | 9B | 146 BPM | ||
| Sobreviventes | Lula Queiroga, Martins | A Major | 4 | 11B | 110 BPM | ||
| Paira no Ar | Čao Laru, Pássaro Vivo | F Major | 5 | 7B | 93 BPM | ||
| Quero Esquecer Você | Los Sebosos Postizos | G Major | 5 | 9B | 157 BPM | ||
| Acordando | Lúcio Maia e Jorge du Peixe | A♭ Minor | 5 | 1A | 100 BPM | ||
| Brigitti | Orquestra Contemporânea de Olinda | E♭ Major | 10 | 5B | 125 BPM | ||
| Quase Não Sobra Nada | Banda Eddie | E Minor | 7 | 9A | 144 BPM | ||
| O Telefone Tocou Novamente | Los Sebosos Postizos | F♯ Minor | 5 | 11A | 151 BPM | ||
| Lourinha Americana | Mundo Livre S/A | A Major | 8 | 11B | 174 BPM | ||
| Navilouca | Pedro Luis E A Parede | F♯ Minor | 2 | 11A | 200 BPM | ||
| Golpe de Vista | Douglas Germano | G Minor | 6 | 6A | 78 BPM | ||
| Atlantis | Lula Queiroga | A Minor | 5 | 8A | 84 BPM |