Laura Stevenson's 'Late Great' had a release date set for June 27, 2025. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Laura Stevenson's "Late Great" album is number 11 out of 12. In terms of popularity, Late Great is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Late Great by Laura Stevenson to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bitter Everyday | Wednesday | D Major | 6 | 10B | 114 BPM | ||
| Easier Said Than Done | Pool Kids | A♭ Minor | 7 | 1A | 120 BPM | ||
| T&A | Blondshell | D Major | 7 | 10B | 128 BPM | ||
| Birdhouse | Colin Miller | F♯ Major | 5 | 2B | 103 BPM | ||
| What's Fair | Blondshell | D Major | 7 | 10B | 128 BPM | ||
| The Only Marble I've Got Left | Julien Baker, TORRES | D Major | 5 | 10B | 154 BPM | ||
| Emily in Half | Laura Stevenson | D Major | 2 | 10B | 167 BPM | ||
| passenger princess | cheerbleederz | F♯ Major | 5 | 2B | 124 BPM | ||
| Prism of Light | Miya Folick | D Major | 7 | 10B | 169 BPM | ||
| Cellphone | Laveda | C Major | 5 | 8B | 147 BPM | ||
| Harmonoia | Lily Seabird | D Major | 5 | 10B | 126 BPM | ||
| Another Brand New Me | Alien Boy | B♭ Major | 8 | 6B | 172 BPM | ||
| Cicadas | Ken Pomeroy | C Major | 2 | 8B | 102 BPM | ||
| Flat Circle | Sydney Sprague | F Major | 7 | 7B | 91 BPM | ||
| The Horror You Found | Cloud Nothings | D♭ Major | 9 | 3B | 90 BPM | ||
| All-Nighter (Squirrel Flower Version) | Bad Bad Hats, Squirrel Flower | A♭ Minor | 4 | 1A | 81 BPM | ||
| Nora | Case Oats | A Major | 9 | 11B | 117 BPM | ||
| Ovid | Annie DiRusso | F Major | 4 | 7B | 140 BPM | ||
| Old Hallicrafter Radio | Samantha Crain | B♭ Major | 4 | 6B | 129 BPM | ||
| Last Word | Pool Kids | D Major | 8 | 10B | 180 BPM | ||
| Mother, Pray For Me | The Beths | A♭ Major | 9 | 4B | 162 BPM | ||
| Small Town Cemetery | Greet Death | C Major | 1 | 8B | 133 BPM | ||
| Waiting Around to Provide | Florry | C Major | 6 | 8B | 145 BPM | ||
| Don't Cave | Ben Kweller | G Major | 5 | 9B | 162 BPM | ||
| Pass It By | Indigo De Souza | F♯ Major | 3 | 2B | 85 BPM |