"Lillo: Invan tentai di spegnere" by Giuseppe Lillo, David Harper, Paul Charles Clarke had its release date on 2001. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Il Salotto Vol. 4: Il Sibilo (The Whisper)" album is number 7 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Lillo: Invan tentai di spegnere is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lillo: Invan tentai di spegnere by Giuseppe Lillo, David Harper, Paul Charles Clarke to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
| Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | D♭ Major | 0 | 3B | 130 BPM | ||
| Già il sole dal Gange | Alessandro Scarlatti, Ramón Vargas | A Major | 2 | 11B | 75 BPM | ||
| La Traviata, Act III - Preludio, scena e aria: Prelude | Giuseppe Verdi, Teodor Currentzis | A♭ Major | 0 | 4B | 101 BPM | ||
| Donizetti: Non v'è nume, non v'è fato | Gaetano Donizetti, Nicola Alaimo, Carlo Rizzi | D Minor | 1 | 7A | 85 BPM | ||
| Le nozze di Figaro (The Marriage of Figaro), K. 492, Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Ivan Marinov, Victoria Anderson, Sofia National Opera Orchestra, Sofia National Chorus | B♭ Major | 1 | 6B | 101 BPM | ||
| Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
| O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 138 BPM | ||
| Otello, Act IV: Ave Maria | Giuseppe Verdi, Raffaella Angeletti, Friedrich Haider, Oviedo Filarmonía | B♭ Major | 4 | 6B | 102 BPM | ||
| Four Songs, Op. 2: Oriental Romance | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F♯ Minor | 0 | 11A | 166 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Michel Plasson - Orchestre Du Capitole De Toulouse - Jose Antonio Sainz - Natalie Dessay - Malcolm Stewart - Choeur D'Enfants Midi Pyrenees - Orfeon Donostiarra, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Recondita armonia | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 1 | 7B | 78 BPM | ||
| Poor Wand'ring One | Gilbert & Sullivan, Rebecca Hains | A♭ Major | 1 | 4B | 116 BPM | ||
| 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
| Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM | ||
| Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | D♭ Minor | 1 | 12A | 138 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Mahler: Rückert-Lieder: No. 4, Ich bin der Welt abhanden gekommen | Gustav Mahler, Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli | F Major | 0 | 7B | 86 BPM | ||
| Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
| Eugene Onegin, Op. 24, TH 5: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
| 65- Igual ao Mestre! | Orquestra Sacra | E♭ Major | 1 | 5B | 115 BPM |