Overture No. 1 in B-Flat Major: III. Menuett by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini Song Details

Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini's ' "Overture No. 1 in B-Flat Major: III. Menuett" was released on its scheduled release date, June 30, 1995. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Veracini: Overtures and Concertos, Vol. 1 by Francesco Maria Veracini. The song's track number on the album is #3 out of 25 tracks. Overture No. 1 in B-Flat Major: III. Menuett is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

Since Overture No. 1 in B-Flat Major: III. Menuett by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Overture No. 1 in B-Flat Major: III. Menuett being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -13.509 dB
Acousticness: 98%
Danceability: 29%
Energy: 17%
Instrumentalness: 92%
Liveness: 8%
Loudness: 77%
Speechiness: 4%
Valence: 47%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia a quattro: I. Allegro assai	František Tůma, Czech Ensemble Baroque, Roman Válek	B Major	2	1B	83 BPM
Cello Concerto in A Minor, RV 421: I. Allegro non troppo	Antonio Vivaldi, Roel Dieltiens, Ensemble Explorations	A Minor	2	8A	124 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai	Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau	F♯ Major	3	2B	124 BPM
Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti)	Charles Avison, Avison Ensemble, Pavlo Beznosiuk	D♭ Minor	1	12A	107 BPM
Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget)	Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner	F Major	1	7B	101 BPM
Symphony in C Major, J-C 4: I. Allegrissimo	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	137 BPM
Concerto Armonico No. 1 in G Major: Un poco andante	Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon	E♭ Minor	1	2A	103 BPM
Concerto grosso No. 2 in G Major: II. Allegro (After D. Scarlatti)	Charles Avison, Avison Ensemble, Pavlo Beznosiuk	A♭ Major	0	4B	81 BPM
Concerto a cinque No. 5, Op. 9: II. Adagio	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	A♭ Minor	1	1A	97 BPM
J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Var. 4	Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel	F♯ Major	6	2B	130 BPM
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro - II. Adagio	Johann Sebastian Bach, Amandine Beyer, Gli Incogniti	B Minor	3	10A	118 BPM
Concerto for Strings in G Minor, RV 157: II. Largo	Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra	F♯ Minor	1	11A	56 BPM
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio	Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau	A♭ Major	1	4B	105 BPM
Concerto grosso in D Major, Op. 6 No. 1: V. Allegro	Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki	E Major	1	12B	141 BPM
Concerto a cinque No. 12, Op. 7: III. Allegro	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	B Major	4	1B	80 BPM
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro	Jean-Marie Leclair, Fabio Biondi, Europa Galante	F Major	3	7B	102 BPM
Violin Sonata in A Major, Op. 1 No. 7, I.A.5.I No. 7: V. Allegro	Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco	B Major	2	1B	126 BPM
Symphony in F Major, J-C 36: I. Presto	Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini	F Major	1	7B	75 BPM
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante	Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau	A♭ Major	1	4B	105 BPM
Awakening Fields	Echos in tempo	F♯ Major	6	2B	130 BPM
Handel: Trio Sonata in B Minor, Op. 2/1, HWV 386b: III. Largo	George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée	D♭ Major	0	3B	95 BPM
Viola Concerto in G Major, TWV 51:G9: III. Andante	Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka	E♭ Major	3	5B	95 BPM
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo	William Boyce, Aradia Ensemble, Kevin Mallon	E Major	0	12B	118 BPM
Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio	Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler	C Major	1	8B	97 BPM
Quartet in G Major: I. Adagio	Johann Gottlieb Janitsch, Berliner Barock Compagney	F♯ Major	1	2B	139 BPM