Arohi Anil Agarkar, Ragreshree Anil Agarkar's 'Meri Bhavna' had a release date set for July 21, 2018. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Namokar Amrit". In this album, this song's track order is #4. Based on our statistics, Meri Bhavna's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Meri Bhavna by Arohi Anil Agarkar, Ragreshree Anil Agarkar having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shri Krishna Saranam Mam | Ashit Desai, Hema Desai | B Minor | 6 | 10A | 73 BPM | ||
| Ugati Prabhae | Anoopam Mission | D♭ Major | 2 | 3B | 80 BPM | ||
| Bhagavad Gita Adhyay, Pt. 9 | Shrirang Bhave | E♭ Major | 1 | 5B | 106 BPM | ||
| Om Tatsat Shree Narayan Tu | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | E♭ Major | 3 | 5B | 162 BPM | ||
| Bhagavad Gita Adhyay, Pt. 17 | Shrirang Bhave | F♯ Major | 4 | 2B | 94 BPM | ||
| Gajanan Maharaj Ashtak | Mugdha Vaishampayan | F Minor | 0 | 4A | 69 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Shrimad Vallabh Kaho | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | D♭ Major | 5 | 3B | 157 BPM | ||
| Kumbhaam | Suresam | D♭ Major | 1 | 3B | 67 BPM | ||
| Shri Krishna Stuti | Ashit Desai, Bhakti Choir | B♭ Major | 2 | 6B | 130 BPM | ||
| Ma Bap Ne Bhulso Nahi | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Samb Sadashiv 108 Times Jaap | Siddharth Shankar Srivastav | A Major | 2 | 11B | 110 BPM | ||
| Malakshmi Ashtakam | Srikanth Sharma | E Major | 2 | 12B | 76 BPM | ||
| NAMAH SHIVAY NAMAH SHIVAY | Morari Bapu | D♭ Major | 5 | 3B | 104 BPM | ||
| Sri Jagannath Astakam | Namita Agrawal | F♯ Minor | 5 | 11A | 160 BPM | ||
| Rasik Piya Ghanshyam | Rajkot Gurukul | F♯ Major | 4 | 2B | 102 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Sri Ramraksha Stotram | Sooryagayathri | A Major | 5 | 11B | 177 BPM | ||
| Om Gan Ganpate Namo Namah 108 times | Aarti Singh | A Major | 6 | 11B | 135 BPM | ||
| Krishna Ji Ki Aarti | Vivek Prakash | F Major | 6 | 7B | 136 BPM | ||
| Aisa Yeie Baba | Pramod Medhi | A♭ Major | 5 | 4B | 132 BPM | ||
| Shri Devi Stuti | Ashit Desai, Bhakti Choir | D Major | 1 | 10B | 94 BPM | ||
| Shani Dev Aarti | Vishwajeet Borwankar, Priyanka Sarvadnya | G Major | 2 | 9B | 71 BPM | ||
| Aarati Dnyanaraja | Kashinath Gorule, Naresh Ranade, Swapnil Sawant, Arjun Patil | D♭ Minor | 7 | 12A | 106 BPM | ||
| Om Sai Shri Sai Om | Pramod Medhi, Poonam Raj | A♭ Major | 7 | 4B | 92 BPM |