"The Transported Man" by The Prestige had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Transported Man's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Prestige". In this album, this song's track order is #8. Based on our statistics, The Transported Man's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Transported Man by The Prestige having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bombings | Alexandre Desplat | E♭ Major | 0 | 5B | 79 BPM | ||
| Still Gone | Trent Reznor and Atticus Ross | G Major | 1 | 9B | 96 BPM | ||
| Sleep | Rupert Gregson-Williams | F♯ Minor | 0 | 11A | 47 BPM | ||
| Canticle in E Minor | Nicholas Britell | E Minor | 1 | 9A | 103 BPM | ||
| Empty Places (Reprise) | Trent Reznor and Atticus Ross | C Minor | 0 | 5A | 65 BPM | ||
| A Sullen Rush and Roar | Shane Carruth | F♯ Major | 2 | 2B | 61 BPM | ||
| Layers Of The Ocean / The Hadopelagic | Fernando Velázquez | A♭ Minor | 2 | 1A | 120 BPM | ||
| Watching | Ben Salisbury, Geoff Barrow | B Major | 0 | 1B | 130 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| The Tattoo | Jed Palmer | A Major | 0 | 11B | 120 BPM | ||
| Hell Ensemble | Ryuichi Sakamoto, alva noto | B Minor | 1 | 10A | 131 BPM | ||
| The Final Journey | Christopher Spelman | B Major | 2 | 1B | 153 BPM | ||
| Aaron's Debt | Shane Carruth | D♭ Minor | 0 | 12A | 135 BPM | ||
| Cobolt | Benjamin Wallfisch | D♭ Major | 2 | 3B | 62 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Project Log | Lovett | D♭ Major | 1 | 3B | 66 BPM | ||
| Dark Matter / Reflection | Max Richter | D♭ Major | 2 | 3B | 140 BPM | ||
| Gentle Waves | Rob Simonsen | A♭ Major | 0 | 4B | 77 BPM | ||
| 2.8_1-audit0ry-space.tta | Mac Quayle | A Minor | 3 | 8A | 201 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Guns Up | Dan Romer | C Major | 3 | 8B | 120 BPM | ||
| PT | Christophe Beck | C Major | 5 | 8B | 133 BPM | ||
| Security Is a Myth | Paul Haslinger | C Major | 1 | 8B | 102 BPM | ||
| No, Not Today | The Prestige | E Minor | 1 | 9A | 135 BPM |