B. バルトーク, 川崎雅夫(ヴィオラ), 店村眞積(ヴィオラ)'s ' "44の二重奏より 第42番 アラビアの歌" was released on its scheduled release date, May 25, 2009. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ヴィオラの饗宴 (Vol. 2), so we believe that "44の二重奏より 第42番 アラビアの歌" is a single. 44の二重奏より 第42番 アラビアの歌 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 44の二重奏より 第42番 アラビアの歌 by B. バルトーク, 川崎雅夫(ヴィオラ), 店村眞積(ヴィオラ) is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Allegro for Viola da Gamba Solo in D Major, Drexel Manuscript No. 1 Wko186 A1 | Carl Friedrich Abel, Alejandro Marías | D♭ Major | 1 | 3B | 154 BPM | ||
| Duet Op. 22, No. 1: I. Allegro | Friederich August Kummer, Friedrich August Kummer, Phoebe Carrai, Tanya Tomkins | E Minor | 0 | 9A | 85 BPM | ||
| 妖精の踊り | Christoph Willibald Gluck, Hitomi Niikura | B Minor | 1 | 10A | 83 BPM | ||
| Scarlatti, D: Keyboard Sonata in A Minor, Kk. 3 | Domenico Scarlatti, Scott Ross | B Major | 4 | 1B | 111 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| Quintette avec clarinette in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Florent Héau, Quatuor Voce | G Major | 1 | 9B | 79 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Chanson Triste for Double Bass and Piano, Op. 2 | Serge Koussevitzky, Robert Oppelt | C Major | 1 | 8B | 86 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": II. Andante o più tosto allegretto | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Liebesleid | Fritz Kreisler, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| シチリアーノ(パラディス) | マリア・テレジア・フォン・パラディス, 幸田聡子, Chika Nishiwaki | E♭ Major | 1 | 5B | 90 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| 9つの小品 Ⅲ. ソステヌート | B. バルトーク, 東京メトロポリタン・トロンボーン・クァルテット, 小田桐寛之(トロンボーン), 古賀慎治(トロンボーン), 井口有里(トロンボーン), 井上順平(トロンボーン) | F Major | 0 | 7B | 75 BPM | ||
| Prelude & Laughing Rock: I. Prelude | Ross Edwards, Richard Narroway | G Major | 0 | 9B | 64 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 0 | 2B | 37 BPM | ||
| Caprice sur des motifs de l'opéra 'Le comte Ory', Op. 3: II. Variation 1 | Adrien François Servais, Sol Gabetta, Victor Julien-Laferrière | A Major | 1 | 11B | 140 BPM | ||
| 44のデュオより 第29番 新年の挨拶Ⅱ~第14番 枕踊り~第33番 収穫の歌 | B. バルトーク, 冨岡裕子(サックス), 田中拓也(サックス) | B Minor | 1 | 10A | 80 BPM | ||
| The Lark | Mario Castelnuovo-Tedesco, Jascha Heifetz | C Major | 3 | 8B | 92 BPM | ||
| Variations on a Theme by Robert Schumann, Op. 9: Var. 14, Andante | Johannes Brahms, Mari Kodama | C Major | 1 | 8B | 127 BPM | ||
| Petite suite: I. An Opalescent Fantasy | Peter Scott Lewis, Miranda Cuckson | F Minor | 1 | 4A | 67 BPM | ||
| Suite For Cello And Orchestra, Op. 16b, R. 211: 3. Gavotte. Allegro non troppo | Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | D Major | 1 | 10B | 84 BPM | ||
| 9つのバガデル Ⅱ.アレグロ・ジョコーソ | B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) | F Major | 1 | 7B | 139 BPM | ||
| La Misterieuse: 25ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | G Major | 0 | 9B | 69 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Suite for 2 Violins in D Major, TWV 40:108 "Gulliver's Travels": I. Intrada. Spirituoso | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 1 | 3B | 122 BPM |