"Nothing Changes" by Anaïs Mitchell, The Haden Triplets had its release date on April 26, 2010. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Anaïs Mitchell's "Hadestown" album is number 12 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Nothing Changes's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Nothing Changes by Anaïs Mitchell, The Haden Triplets to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Things I Want | Lizard Boy Original Cast, Justin Huertas, Kirsten Delohr Helland, William A. Williams | A Major | 6 | 11B | 80 BPM | ||
| Blankets And Bedding | 'Come From Away' Company | E Minor | 8 | 9A | 124 BPM | ||
| Waiting | The Band's Visit Original Broadway Company | C Major | 3 | 8B | 98 BPM | ||
| Welcome To The Rock | Joel Hatch, 'Come From Away' Company | G Major | 7 | 9B | 168 BPM | ||
| Hear Me Out | 36 Questions, Jessie Shelton | A Major | 4 | 11B | 135 BPM | ||
| The Duel | Lucas Steele, Josh Groban, Nick Choksi, Amber Gray, Original Broadway Company of Natasha, Pierre & the Great Comet of 1812 | F♯ Major | 5 | 2B | 151 BPM | ||
| Gone, I'm Gone | Eva Noblezada, Jewelle Blackman, Yvette Gonzalez-Nacer, Kay Trinidad, Anaïs Mitchell, Hadestown Original Broadway Company | C Major | 2 | 8B | 139 BPM | ||
| Talking Flowers | Eva Noblezada, Anaïs Mitchell, Hadestown Original Broadway Company | E Major | 2 | 12B | 83 BPM | ||
| Natalya | Preludes Original Cast | E Major | 2 | 12B | 69 BPM | ||
| Hospital Beds | Florence + The Machine | B Minor | 5 | 10A | 96 BPM | ||
| Why We Build the Wall | Anaïs Mitchell | A Major | 2 | 11B | 107 BPM | ||
| Epic III | Dónal Finn, Hadestown Original West End Cast | G Major | 6 | 9B | 92 BPM | ||
| Epic I | Reeve Carney, André De Shields, Anaïs Mitchell, Hadestown Original Broadway Company | F Major | 2 | 7B | 127 BPM | ||
| Any Way the Wind Blows | Eva Noblezada, Jewelle Blackman, Yvette Gonzalez-Nacer, Kay Trinidad, Anaïs Mitchell, Hadestown Original Broadway Company | F Major | 3 | 7B | 89 BPM | ||
| Blood I Bled | The Staves | D♭ Minor | 4 | 12A | 94 BPM | ||
| Little Life | Grace McLean, Rachael Duddy, Ashley Perez Flanagan, Hannah Whitney | F Major | 2 | 7B | 176 BPM | ||
| Way Down Hadestown | Anaïs Mitchell, Justin Vernon, Ani DiFranco, Ben Knox Miller | C Minor | 8 | 5A | 92 BPM | ||
| The Party Goes with You | Lindsay Mendez | A♭ Minor | 4 | 1A | 87 BPM | ||
| Stay, I Pray You | Constantine Germanacos, Derek Klena, John Bolton, Christy Altomare, Anastasia Company | D♭ Major | 5 | 3B | 148 BPM | ||
| Tavern Song (Thai Mol Piyas) | The Hunchback of Notre Dame Ensemble, Ciara Renée, Patrick Page | A Minor | 6 | 8A | 131 BPM | ||
| Leave | Steve Kazee | D♭ Minor | 2 | 12A | 84 BPM | ||
| Love's a Gun | Rebecca Naomi Jones | A Minor | 3 | 8A | 81 BPM | ||
| He Did | Anaïs Mitchell | D Minor | 4 | 7A | 87 BPM | ||
| Out There | Patrick Page, Michael Arden | D Minor | 5 | 7A | 98 BPM | ||
| Bring on the Men (From Jekyll & Hyde: The Gothic Musical Thriller) - 2007 Remaster | Linda Eder | D♭ Minor | 4 | 12A | 108 BPM |