"Flat Line/Peak Color" by Bing & Ruth had its release date on February 17, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "No Home of the Mind". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Flat Line/Peak Color is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flat Line/Peak Color by Bing & Ruth having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| IV | Steve Gunn, David Moore, Bing & Ruth | C Major | 6 | 8B | 79 BPM | ||
| With You | Ex Confusion | B Major | 0 | 1B | 76 BPM | ||
| One Watery Lens | Pausal | C Major | 1 | 8B | 73 BPM | ||
| Prince of the Sea | Chihei Hatakeyama | C Major | 3 | 8B | 77 BPM | ||
| Hear Me Out | Huerco S. | E♭ Minor | 1 | 2A | 67 BPM | ||
| It All Ends With the Coming Sky | Bvdub | B♭ Minor | 2 | 3A | 66 BPM | ||
| Beekeepers vs Warfare Chemicals | Brian McBride | A Minor | 1 | 8A | 141 BPM | ||
| I Had No Dream | Bing & Ruth | B♭ Major | 2 | 6B | 78 BPM | ||
| Remote Rail Ex | Forest Management | C Major | 0 | 8B | 72 BPM | ||
| Postcard from Brilliant Orange | David Moore, Bing & Ruth | F♯ Minor | 0 | 11A | 77 BPM | ||
| Desires Are Reminiscences by Now | Abul Mogard | B♭ Minor | 2 | 3A | 80 BPM | ||
| On the Fly | Roedelius, Arnold Kasar | E Major | 0 | 12B | 105 BPM | ||
| I Am So Much More Me That You Are Perfectly You | Eluvium | G Major | 0 | 9B | 85 BPM | ||
| Wanderer | Harold Budd | A Minor | 0 | 8A | 73 BPM | ||
| Music for Twin Peaks Episode #30, Part 1 | Stars Of The Lid | D♭ Major | 1 | 3B | 45 BPM | ||
| After Our Efforts | Ben Lukas Boysen, Sebastian Plano | G Minor | 3 | 6A | 77 BPM | ||
| Lowlands | Taylor Deupree, Marcus Fischer | D Major | 0 | 10B | 66 BPM | ||
| The Harbinger | Julianna Barwick | F Major | 3 | 7B | 70 BPM | ||
| Eisenach | Ben Lukas Boysen, Sebastian Plano | C Major | 2 | 8B | 74 BPM | ||
| Tom | Fennesz | D Major | 6 | 10B | 100 BPM | ||
| Light From Garden | Chihei Hatakeyama | G Major | 0 | 9B | 100 BPM | ||
| Death Bed - Liminal Remix | Alex Somers, Liminal | D♭ Major | 3 | 3B | 132 BPM | ||
| And Therefore The Moonlight | Ian William Craig | A♭ Major | 1 | 4B | 129 BPM | ||
| Prelude for Juan | Christina Vantzou | C Major | 2 | 8B | 76 BPM | ||
| Matins | Sarah Davachi | E♭ Minor | 1 | 2A | 71 BPM |