"The Auld Scotch Sangs" by Moira Anderson had its release date on 1994. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 47 in Best Of Scotland by Various Artists. The Auld Scotch Sangs is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Auld Scotch Sangs by Moira Anderson is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One For My Baby (And One More For The Road) | Tatiana Bookbinder | D Major | 1 | 10B | 70 BPM | ||
| The Song of the Clyde | Kenneth McKellar | G Major | 2 | 9B | 81 BPM | ||
| I Remember It Well | Maurice Chevalier | G Major | 2 | 9B | 107 BPM | ||
| The Proposal | Moira Anderson, James Urquhart | D Major | 4 | 10B | 170 BPM | ||
| I Still See Elisa (from "Paint Your Wagon") | The Paul Masters Orchestra | C Major | 0 | 8B | 84 BPM | ||
| Fortune's Protocol | JAY 1STOCK | G Major | 2 | 9B | 107 BPM | ||
| Berlin: Annie Get Your Gun, Act I: My Defenses Are Down | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson | D♭ Minor | 3 | 12A | 116 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| The Bold Gendarmes | Josef Locke | F Major | 2 | 7B | 120 BPM | ||
| Unbecoming | Erguito Greens | G Major | 2 | 9B | 107 BPM | ||
| Come By The Hills | Moira Anderson | G Major | 3 | 9B | 104 BPM | ||
| O Gentle Presence | Susan Mack, Ellen Hanna | E♭ Major | 3 | 5B | 90 BPM | ||
| What's The Use Of Wond'rin' | Barbara Ruick, Shirley Jones | C Major | 2 | 8B | 88 BPM | ||
| Stayed Too Long At The Fair | Lawrence Welk, The Lennon Sisters | F Major | 3 | 7B | 85 BPM | ||
| Lover Come Back To Me | Oscar Hammerstein II, Sir Harry Secombe, Moira Anderson | G Major | 3 | 9B | 86 BPM | ||
| A Charge to Keep I Have | Lordina The Soprano | A♭ Major | 7 | 4B | 157 BPM | ||
| Younger Than Springtime (From South Pacific) | John Kerr, Bill Lee | A♭ Major | 4 | 4B | 84 BPM | ||
| A High, Holy Calling God's Given | Hidden Treasures Music, Ståle Risnes, Mary-Lee Jacquier | G Major | 2 | 9B | 107 BPM | ||
| Nonnenkoor Uit Casanova | Koor en Orkest o.l.v. Benedict Silberman | F Major | 3 | 7B | 87 BPM | ||
| Tell Me To Go | Iain Glen, Rebecca Lock | B♭ Major | 1 | 6B | 84 BPM | ||
| They Say It's Wonderful | Howard Keel, Betty Hutton | E Major | 2 | 12B | 160 BPM | ||
| What Do the Simple Folk Do? - King Arthur and Guenevere | Richard Harris, Vanessa Redgrave, Lee Herschberg | B♭ Major | 2 | 6B | 113 BPM | ||
| Frasquita: "My Little Nest of Heavenly Blue" | Franz Lehár, Jonas Kaufmann, Berlin Radio Symphony Orchestra, Jochen Rieder | A Major | 0 | 11B | 129 BPM | ||
| Somewhere My Love | Ken Dodd | G Major | 2 | 9B | 90 BPM | ||
| Hedd Yn Awr | Geraint Griffiths | B Major | 3 | 1B | 93 BPM |