Chetna, Rakesh Kala's ' "Hare Krishna Hare Rama" was released on its scheduled release date, January 4, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Hare Krishna Hare Rama and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. In terms of popularity, Hare Krishna Hare Rama is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Hare Krishna Hare Rama by Chetna, Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shanaishchara krita Narasimha stuti | Daasoham | B Major | 4 | 1B | 91 BPM | ||
| Shri Shivashtakam | Dhyana Raga | F♯ Major | 5 | 2B | 122 BPM | ||
| लिंगाष्टकम | Sasidhar Darla | A Minor | 4 | 8A | 120 BPM | ||
| Bhagwan Shiv Ki Aarti | Varsha Srivastava | F♯ Major | 5 | 2B | 84 BPM | ||
| Shri Radha Kripa Kataksh | Pooja Vyas | E♭ Major | 6 | 5B | 149 BPM | ||
| Teri Mand Mand Muskaniya Pe Balihar Raghav Ji | Chetna | A♭ Minor | 5 | 1A | 138 BPM | ||
| Sau Nayan Gochar | Prem Prakash Dubey | F Minor | 7 | 4A | 88 BPM | ||
| Shri Chandraprabhu Chalisa | Rakesh Kala | F♯ Major | 6 | 2B | 156 BPM | ||
| Mere Mahadev | Anuragini Tripathi | G Major | 5 | 9B | 105 BPM | ||
| Pitra Stotra | Acharya Sudhir Sharma Ved Pathi | G Major | 3 | 9B | 92 BPM | ||
| Surya Stuti | Prasath Sai, Prakash Kumar | C Minor | 6 | 5A | 97 BPM | ||
| Podhaniya | Divyang Ray | E♭ Minor | 2 | 2A | 116 BPM | ||
| Hanuman Chalisa Power Full | FollowingTushar | C Major | 5 | 8B | 79 BPM | ||
| Bhootnath Ashtakam | A tribute to Krishna Das | Powerful Shiva Strotram | Sagar_Sharma | E Major | 5 | 12B | 148 BPM | ||
| Ram Ayenge | Chetna | F♯ Major | 7 | 2B | 97 BPM | ||
| Shiva Om | Vikram Hazra | D♭ Major | 3 | 3B | 168 BPM | ||
| Hari Sunder Nand | Dr. Manikantan Menon | A Major | 5 | 11B | 84 BPM | ||
| Vakratunda Mahakaye | Rajat Kumar, Rashika Chauhan, Sakshi Gupta | B Major | 3 | 1B | 70 BPM | ||
| AA GAYE BABAJI TERE NAAM DE BIKHARI (Rinku veer ji) | Sachharab | D Major | 8 | 10B | 100 BPM | ||
| Jya Sukha Karane VedaVala Abhang | Sachin Kudalkar | A Major | 6 | 11B | 94 BPM | ||
| Jhula Toh Padd Gaya Ambua Ki Daal Par | Chetna | A Major | 9 | 11B | 97 BPM | ||
| Ghazal Gita | Sarita Joshi | D♭ Major | 2 | 3B | 120 BPM | ||
| Aarti Hanuman Lala Ki - Viddhi Sharma | Vidhi Sharma | F♯ Major | 5 | 2B | 92 BPM | ||
| Mahavir Prabhu Aarti | Rushabh Agarkar, Mangesh Borgaonkar | A Minor | 6 | 8A | 72 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM |