On September 23, 2025, the song "Mobile Bantu" was released by Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Basamma Hiremath, Roopa Bijapur, Basavaraj Ghivari's "Hennina Janmaka Makala Phala Beka" album is number 7 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Mobile Bantu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mobile Bantu by Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hundada Havali Hechayithu | Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur | D♭ Minor | 6 | 12A | 91 BPM | ||
| Kannada Dha Thungabadra | Puttur Narasimha Nayak | B Minor | 8 | 10A | 94 BPM | ||
| Mannella Bhandaravu | S. P. Balasubrahmanyam | D Major | 5 | 10B | 150 BPM | ||
| Pagai Kadithal | Veeramanidasan | G Major | 7 | 9B | 171 BPM | ||
| Badatana Bandaga | Shabbir Dange, Nandita | G Minor | 5 | 6A | 140 BPM | ||
| Manninda Kaaya | Hamsalekha, K. S. Chithra, Purandara Daasaru | B Major | 6 | 1B | 170 BPM | ||
| Nanjundi Haadu | Hamsalekha, S. Janaki | B♭ Minor | 4 | 3A | 148 BPM | ||
| Bhavadaleyall | S. P. Balasubrahmanyam | F♯ Major | 8 | 2B | 175 BPM | ||
| Raghvendra Yathi | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 80 BPM | ||
| Deepavali Habbakka | Ramesh Kurubaragatti, Surekha | D Minor | 4 | 7A | 82 BPM | ||
| Parashivana Pathniyaagi | Veeramani Raju | A Major | 5 | 11B | 74 BPM | ||
| Shabari Shilanivasa | Madhu Balakrisha | D♭ Major | 8 | 3B | 200 BPM | ||
| Vitala Vitala / Dialogue : Laxmi Mahabhaktaru (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | C Minor | 6 | 5A | 101 BPM | ||
| Kondada | Vidyabhushana, T. V. Gopalkrishnan, Sri Vadirajaswamy | C Minor | 3 | 5A | 125 BPM | ||
| Thangi Nadi Thangi | Basamma Hiremath, Basavaraj Ghivari, Roopa Bijapur | A Major | 5 | 11B | 84 BPM | ||
| Thande Thayigalesto (Dhaniya Nodideno) | Mysore Ramachandrachar | E♭ Minor | 6 | 2A | 159 BPM | ||
| Mysorinali | Puttur Narasimha Nayak | F♯ Major | 5 | 2B | 112 BPM | ||
| Baaro Guru | P. Susheela | C Major | 4 | 8B | 132 BPM | ||
| Hoove Hoovina Maale | K. Yuvaraj | A♭ Major | 7 | 4B | 136 BPM | ||
| Ninnapadakamalgala | Vidyabhushana | F Major | 8 | 7B | 193 BPM | ||
| Gandu Magana Yaka Hadadi | Ratnamala Prakash | G Major | 8 | 9B | 110 BPM | ||
| Basinga Naa Kattalilla | Shbbir, B. R. Chaya | C Minor | 5 | 5A | 100 BPM | ||
| Saakaagitta Yenagee Oora | Basamma Hiremath | D♭ Minor | 8 | 12A | 132 BPM | ||
| Ninna Nambide | Sri Vidyabhushana | G Major | 5 | 9B | 89 BPM | ||
| Nann Hudagi Maratalo | Parasu Kolur Singer | C Major | 5 | 8B | 103 BPM |