"Till There Was You (adage 2)" by Nate Fifield had its release date on April 21, 2025. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nate Fifield's "Hollywood Hits for Ballet Class, Vol. 6" album is number 19 out of 30. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Till There Was You (adage 2)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Till There Was You (adage 2) by Nate Fifield to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barre: Foot Warm-up 2 | Nolwenn Collet | F Major | 0 | 7B | 109 BPM | ||
| Battements tendus Ⅲ (이소정) | 이소정 | C Major | 2 | 8B | 120 BPM | ||
| Polka Dots and Moonbeams - Rond de jambe à terre | Peter James | E♭ Major | 2 | 5B | 163 BPM | ||
| Slow Battement Tendu Dream a Little Dream | Matthew J Gregory | G Major | 2 | 9B | 96 BPM | ||
| Waltz 1 | 이예정 | D Major | 1 | 10B | 108 BPM | ||
| バイデン マイタイム (Tendu3) | Miwa Hoshi | E♭ Major | 2 | 5B | 135 BPM | ||
| Temps Leve, Changement De Pieds | Whitefeather Productions | E♭ Major | 1 | 5B | 95 BPM | ||
| Smile (adage 1) | Nate Fifield | A Minor | 2 | 8A | 117 BPM | ||
| Jumps Monster's Inc. | Akiko Hobson | E♭ Major | 1 | 5B | 104 BPM | ||
| Eau De Colonia | Cecy Landia | A♭ Major | 0 | 4B | 132 BPM | ||
| This Love (Grands Battements) | Joey McNamara | C Minor | 2 | 5A | 99 BPM | ||
| Pirouettes & Grand Battements | SuYeon Park | C Major | 0 | 8B | 82 BPM | ||
| Piano Quartet Op.47-3 (Adage4) | Miwa Hoshi | C Major | 3 | 8B | 102 BPM | ||
| Battements fondus 1 (vol.4) | 유연하 (Rebecca Y. Yoo) | E♭ Major | 1 | 5B | 108 BPM | ||
| Warm Up: But Not For Me | Ian Howells Music | E♭ Major | 0 | 5B | 128 BPM | ||
| Battement fondu in C-Minor, ballet "Egyptien", Teil 1, variation Fille | Alexandre Luigini, Konstantin Mortensen | C Major | 1 | 8B | 67 BPM | ||
| Pas De Cheval (Slow & Faster) 6/8 [16 Measures & Repeat] | Tatyana Grigoryants | E♭ Minor | 1 | 2A | 160 BPM | ||
| Tendu 2/4 If I Only Had a Brain | Lisa Harris | G Major | 1 | 9B | 115 BPM | ||
| The Middle (Center Tendu) | Nate Fifield | G Major | 2 | 9B | 111 BPM | ||
| Stretch 4/4: The Dream of Olwen (From "While I Live") | Margot Kazimirska | G Minor | 2 | 6A | 83 BPM | ||
| Battements Tendus II | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Fondu (Paquita) | Nate Fifield | A Major | 3 | 11B | 108 BPM | ||
| He’s a Tramp (From "Lady and the Tramp"): Grand Battement Accent in 8x8 | Ray Lindsey | F Major | 1 | 7B | 110 BPM | ||
| Plie 3/4 64 Counts | Marina Stolyar | A Major | 0 | 11B | 116 BPM | ||
| Battements Tendus I | 지하영 | A♭ Major | 3 | 4B | 122 BPM |