On September 25, 2015, the song "Nobodys Fault But Mine" was released by Martin Harley, Daniel Kimbro. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Martin Harley, Daniel Kimbro's "Live at Southern Ground" album is number 9 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Nobodys Fault But Mine is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Nobodys Fault But Mine by Martin Harley, Daniel Kimbro to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues At My Window | Martin Harley | A Minor | 1 | 8A | 140 BPM | ||
| 02 Outlaw | Martin Harley | A Minor | 7 | 8A | 98 BPM | ||
| Stompin' Ground | Dave Hole | E Minor | 7 | 9A | 81 BPM | ||
| Thirty Eight | Will Wilde | F♯ Major | 4 | 2B | 104 BPM | ||
| The Future Ain't What It Used to Be | Seth Walker | F Major | 1 | 7B | 78 BPM | ||
| Mean And Evil | Moreland & Arbuckle | C Major | 7 | 8B | 120 BPM | ||
| You Don’t Know | Ben Miller Band | G Major | 8 | 9B | 150 BPM | ||
| Ij | Tony Cuchetti, Joe Flip | G Major | 4 | 9B | 115 BPM | ||
| Don't You | The Deltaz | F Major | 8 | 7B | 97 BPM | ||
| Monday night | Valter Nilsson & The Hurt Feelings | A Major | 7 | 11B | 141 BPM | ||
| Slow Train Drag | The Steepwater Band | G Major | 3 | 9B | 86 BPM | ||
| Greasy Rnrnb | Pete Cornelius | F Major | 7 | 7B | 156 BPM | ||
| I Will Not Surrender | Curtis Salgado, Alan Hager | D Major | 2 | 10B | 71 BPM | ||
| Marlee | NDOG Band | B♭ Minor | 6 | 3A | 96 BPM | ||
| Big Plans in a Small Town | Half Deaf Clatch | E♭ Major | 7 | 5B | 108 BPM | ||
| Roll With the Punches | Martin Harley | B Major | 5 | 1B | 125 BPM | ||
| We Got to Meet Death One Day - Previously Unreleased. | Kelly Joe Phelps | G Major | 4 | 9B | 172 BPM | ||
| Rules Were Made to Be Broken | Dr. Bernardo & the Medicine | G Major | 7 | 9B | 148 BPM | ||
| Downtown Tonight | Tyler Bryant & the Shakedown | B Major | 7 | 1B | 175 BPM | ||
| Gonna Send Ya Back to Georgia | Moreland & Arbuckle | D Major | 9 | 10B | 115 BPM | ||
| I'm Gonna Keep What I Got | Little Hat | G Major | 6 | 9B | 131 BPM | ||
| Just As Gone | Tony Holiday | B♭ Minor | 7 | 3A | 106 BPM | ||
| Smoke in the Back Room | Shelby Street Blues | A Minor | 3 | 8A | 182 BPM | ||
| Call Their Name | Fiona Boyes | A Minor | 6 | 8A | 115 BPM | ||
| Going Home | Trainman Blues | D Major | 5 | 10B | 120 BPM |