"Moonlight In Vermont" by Lee Konitz, Jimmy Giuffre had its release date on January 1, 1959. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lee Konitz, Jimmy Giuffre's "Lee Konitz Meets Jimmy Giuffre" album is number 8 out of 9. On top of that, United States appears to be the country where this track was created. Moonlight In Vermont is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Moonlight In Vermont by Lee Konitz, Jimmy Giuffre to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer Nights | Benny Green | A Minor | 0 | 8A | 107 BPM | ||
| Lullaby Of Birdland | Jaki Byard | A♭ Major | 1 | 4B | 79 BPM | ||
| Sax Of A Kind | Lee Konitz | D Major | 5 | 10B | 137 BPM | ||
| Smile, Stacey - Remastered | Stanley Turrentine | G Minor | 6 | 6A | 114 BPM | ||
| Almost Like Being In Love | Jutta Hipp, Zoot Sims | G Minor | 3 | 6A | 96 BPM | ||
| We'll Be Together Again | Sonny Criss | C Major | 2 | 8B | 67 BPM | ||
| My All | Jimmy Giuffre | A♭ Major | 0 | 4B | 89 BPM | ||
| Ain't It The Truth | Gerry Mulligan Sextet | D♭ Major | 3 | 3B | 210 BPM | ||
| Warming Up | The Billy Taylor Trio | D♭ Major | 3 | 3B | 112 BPM | ||
| Blue Monk | McCoy Tyner | F Major | 2 | 7B | 120 BPM | ||
| Be Bop Romp | Fats Navarro | A♭ Major | 4 | 4B | 112 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Passport | Barry Harris Trio | G Minor | 4 | 6A | 88 BPM | ||
| Accidental Melody | Velmists | G Major | 1 | 9B | 89 BPM | ||
| I've Grown Accustomed To Her Face | Bud Shank, Bob Cooper | C Minor | 1 | 5A | 72 BPM | ||
| Topsy | Lee Konitz, Warne Marsh | B♭ Minor | 2 | 3A | 81 BPM | ||
| 浪漫旅人 | 散步貓 | E Minor | 1 | 9A | 97 BPM | ||
| Awful Lonely | The Al Cohn - Zoot Sims Quintet | F Major | 2 | 7B | 77 BPM | ||
| Twisted | Wardell Gray | B♭ Major | 4 | 6B | 172 BPM | ||
| Apple Core | Gerry Mulligan Sextet | A♭ Major | 4 | 4B | 109 BPM | ||
| What Is This Thing Called Love | Hampton Hawes Trio | C Minor | 3 | 5A | 113 BPM | ||
| You Go to My Head | Lennie Tristano | C Minor | 5 | 5A | 145 BPM | ||
| Stay Right With It | Barry Harris Trio | E♭ Major | 3 | 5B | 96 BPM | ||
| Marshmallow | Lee Konitz | B♭ Major | 3 | 6B | 100 BPM | ||
| 35th St. Blues | The John Wright Trio | F Minor | 1 | 4A | 147 BPM |