Razor's ' "Behind Bars" was released on its scheduled release date, May 5, 2015. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Behind Bars's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violent Restitution (Deluxe Reissue) by Razor. The song's track number on the album is #4 out of 18 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Behind Bars is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Behind Bars by Razor has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Behind Bars being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangled Dehumanization | Master | D Major | 10 | 10B | 93 BPM | ||
| A Mortal in Black | Exumer | B Major | 8 | 1B | 153 BPM | ||
| Red Bomb | Whiplash | D♭ Minor | 9 | 12A | 92 BPM | ||
| False Ideals | Xentrix | B Major | 8 | 1B | 109 BPM | ||
| Eternal Nightmare | Vio-Lence | F Minor | 10 | 4A | 112 BPM | ||
| Fight or Die | Sadus | E Minor | 10 | 9A | 137 BPM | ||
| Thrashers | Death Angel | C Major | 10 | 8B | 122 BPM | ||
| Satan's Crusade | Hobbs' Angel Of Death | A♭ Major | 9 | 4B | 102 BPM | ||
| I Live You Die | Flotsam & Jetsam | B Minor | 8 | 10A | 169 BPM | ||
| The Burning of Sodom | Dark Angel | E Major | 10 | 12B | 133 BPM | ||
| Demons | Rigor Mortis, Mike Scaccia, Bruce Corbitt, Casey Orr, Harden Harrison, Dave Ogilvie | A Major | 10 | 11B | 108 BPM | ||
| Assassin | Morbid Saint | B Major | 10 | 1B | 123 BPM | ||
| Nuclear War | Nuclear Assault | F Major | 10 | 7B | 83 BPM | ||
| Under Attack | Exciter | D♭ Major | 9 | 3B | 136 BPM | ||
| Edge of the Razor | Razor | D♭ Major | 10 | 3B | 94 BPM | ||
| Desecrator | Exhorder | A Major | 10 | 11B | 135 BPM | ||
| Nuclear Future | Cryptic Slaughter | B Minor | 10 | 10A | 156 BPM | ||
| Come with Me Tonite (feat. Boi Big, Lil Rue & Razor) | Maxamill, Boi Big, Lil Rue, Razor | B♭ Minor | 4 | 3A | 172 BPM | ||
| Too Late to Change | Atrophy | B♭ Minor | 9 | 3A | 85 BPM | ||
| Violence Condoned | Razor | G Major | 10 | 9B | 120 BPM | ||
| Cut Throat | Razor | E♭ Major | 10 | 5B | 110 BPM | ||
| Sacred Reich | Sacred Reich | G Major | 9 | 9B | 168 BPM | ||
| The Killing Floor | Defiance | C Major | 9 | 8B | 110 BPM | ||
| Heavy Metal Maniac | Exciter | A♭ Major | 9 | 4B | 120 BPM | ||
| Stranded in Hell | Nuclear Assault | C Major | 10 | 8B | 164 BPM |