Ralf Hildenbeutel's 'Secret Oudjilla' had a release date set for January 1, 1995. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ralf Hildenbeutel's "Hommage À Noir" album is number 4 out of 18. In terms of popularity, Secret Oudjilla is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Secret Oudjilla by Ralf Hildenbeutel to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pleine lune II | Sébastien Tellier | C Major | 5 | 8B | 100 BPM | ||
| Spazieren | Abstraxion | D♭ Minor | 4 | 12A | 95 BPM | ||
| Goldene Acht | Dominik Eulberg | B♭ Minor | 8 | 3A | 120 BPM | ||
| No Fate (Struggle Continues Mix) | Zyon | D Minor | 9 | 7A | 125 BPM | ||
| Blisss | Rodriguez Jr. | G Major | 8 | 9B | 124 BPM | ||
| The Future | Barbarella, Sven Väth, Ralf Hildenbeutel | G Major | 10 | 9B | 136 BPM | ||
| The 80s | Ralf Hildenbeutel | C Major | 0 | 8B | 78 BPM | ||
| L'esperanza | Sven Väth, Ralf Hildenbeutel | A Minor | 4 | 8A | 112 BPM | ||
| Circles (feat. Tom Adams) - Club Mix | Chris Liebing, Ralf Hildenbeutel, Tom Adams | A Minor | 3 | 8A | 129 BPM | ||
| Counting Comets - Ruede Hagelstein remix | Marc Romboy, Ruede Hagelstein | E Major | 8 | 12B | 117 BPM | ||
| Ogive No.1 | William Orbit | A Major | 2 | 11B | 73 BPM | ||
| Cloud 9 - Instrumental | Kasper Bjørke | G Major | 6 | 9B | 60 BPM | ||
| The Salt On Her Cheeks | Yagya | A Minor | 3 | 8A | 114 BPM | ||
| Harlequin Plays Bells | Sven Väth, Ralf Hildenbeutel | A♭ Major | 10 | 4B | 113 BPM | ||
| New York 1966 - Instrumental | Fred Nevché, French 79 | G Major | 4 | 9B | 100 BPM | ||
| Anor Londo | Ten Walls | F♯ Major | 1 | 2B | 120 BPM | ||
| First, I Heard Colors - Pye Corner Audio Remix | Principles Of Geometry, Pye Corner Audio | G Major | 5 | 9B | 69 BPM | ||
| Lumin | Taras Bazeev | A♭ Minor | 3 | 1A | 49 BPM | ||
| Intermission - Original Mix | Oora | B Minor | 5 | 10A | 180 BPM | ||
| For an Angel - Escape Mix | Paul van Dyk | G Major | 3 | 9B | 132 BPM | ||
| High Seas | Sainte Vie | D♭ Minor | 9 | 12A | 118 BPM | ||
| WORKOUT III | David August | A♭ Major | 8 | 4B | 136 BPM | ||
| Essit | Melokind | A♭ Major | 5 | 4B | 200 BPM | ||
| Heroin | Superpitcher | B♭ Minor | 6 | 3A | 128 BPM | ||
| Andreas Meets Martin | Kristian Eidnes Andersen | B♭ Minor | 9 | 3A | 120 BPM |