Don’t Do Drugs (Robert)
George Gordon
Your Good Friend
1:24 October 9, 2018
BPM
160
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Don’t Do Drugs (Robert) by George Gordon Song Details

George Gordon's ' "Don’t Do Drugs (Robert)" was released on its scheduled release date, October 9, 2018. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Your Good Friend by George Gordon. The song's track number on the album is #11 out of 19 tracks. The popularity of Don’t Do Drugs (Robert) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

Since Don’t Do Drugs (Robert) by George Gordon has a tempo of 160 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Don’t Do Drugs (Robert) being at 160 BPM, the half-time would be 80 BPM with a double-time of 320 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.811 dB
Acousticness
72%
Danceability
53%
Energy
45%
Instrumentalness
0%
Liveness
72%
Loudness
72%
Speechiness
88%
Valence
58%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bartender Story (Kendra) by George GordonBartender Story (Kendra)George GordonE Major312B125 BPM
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester BerlinStrauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. MuttertändeleiRichard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester BerlinF Major17B78 BPM
Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro by Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew StaplesDas Lied von der Erde: V. Der Trunkene im Frühling. AllegroGustav Mahler, Les Siècles, François-Xavier Roth, Andrew StaplesD Minor07A75 BPM
Lucia di Lammermoor / Act 3: Lucia di Lammermoor / Act 3: "S'avanza Enrico"Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeG Major09B107 BPM
Bolivar, Op. 236: Berceuse by Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine MicheauBolivar, Op. 236: BerceuseDarius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine MicheauB Minor210A84 BPM
La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) by Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de MadridLa Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2)Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de MadridC Major18B83 BPM
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, by Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo ChaillyAndrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via,Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo ChaillyD Major110B79 BPM
The Dream of Gerontius, Op. 38, Part I: No. 9, Novissima hora est; and I fain would sleep (Gerontius) by Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan ClaytonThe Dream of Gerontius, Op. 38, Part I: No. 9, Novissima hora est; and I fain would sleep (Gerontius)Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan ClaytonD Major210B86 BPM
Salome, Op. 54 / Scene 2: Salome, Op. 54 / Scene 2: "Ich will nicht bleiben"Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliF♯ Minor111A90 BPM
Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès)Charles Gounod, Michel Plasson, Orchestre National Du Capitole De ToulouseA Minor18A94 BPM
Rêverie: Pour calmer ma détresse by Manuel Rosenthal, Julie Roset, Susan ManoffRêverie: Pour calmer ma détresseManuel Rosenthal, Julie Roset, Susan ManoffD Minor07A75 BPM
Cavalleria Rusticano: V. Romance and Scene. Voi lo sapete, O mamma (Santuzza) - Miseri noi [Lucia · Santuzza] by Pietro Mascagni, Filippo Arlia, Berliner Symphoniker, Irina Dolzhenko, Alessandra di GiorgioCavalleria Rusticano: V. Romance and Scene. Voi lo sapete, O mamma (Santuzza) - Miseri noi [Lucia · Santuzza]Pietro Mascagni, Filippo Arlia, Berliner Symphoniker, Irina Dolzhenko, Alessandra di GiorgioE Major112B83 BPM
Salome, Op. 54 / Scene 4: Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!"Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliE♭ Major15B71 BPM
Chants sahariens, 5 poèmes touaregs: II La nuit passée by Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude BouveresseChants sahariens, 5 poèmes touaregs: II La nuit passéeMaurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude BouveresseD♭ Major03B82 BPM
Salome, Op. 54 / Scene 4: Salome, Op. 54 / Scene 4: "Tanz für Mich, Salome"Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliC Major58B108 BPM
Rossini: Petite messe solennelle: IX. Credo in unum Deum by Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa CeciliaRossini: Petite messe solennelle: IX. Credo in unum DeumGioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa CeciliaB Major21B131 BPM
Mozart: Così fan tutte, K. 588, Act 1: Quintetto. Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia OrchestraE♭ Major15B104 BPM
Humperdinck : Hänsel und Gretel : Act 3 Humperdinck : Hänsel und Gretel : Act 3 "Alles bleibt still" [Gretel, Hänsel]Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony OrchestraB Major11B77 BPM
Lucrezia Borgia: Preludio by Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard BonyngeLucrezia Borgia: PreludioGaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard BonyngeB♭ Major16B112 BPM
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? by Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic, Sir Charles MackerrasRusalka, Op. 114 / Act 2: Rusalko, znas mne, znas?Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic, Sir Charles MackerrasA♭ Major24B80 BPM
Cole Slaw (Brads and Ashleys) by George GordonCole Slaw (Brads and Ashleys)George GordonA Major411B101 BPM
Macbeth / Act II: Scena: Macbeth / Act II: Scena: "Perché mi sfuggi"Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio AbbadoE Minor09A89 BPM
Symphony No. 8 in E-Flat Major Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. II: Final Scene from FaustGustav Mahler, Frances Yeend, Uta Graf, Camilla Williams, Eugene Conley, Martha Lipton, Carlos Alexander, George Gordon, Louis Bernhardt, Westminster Choir, Schola Cantorium, Public School No. 12 Boys Choir, Philharmonic Symphony Orchestra, Leopold StokowB♭ Major36B108 BPM
Simon Boccanegra: Act I: Plebe! Patrizi! (Doge, Amelia, Fiesco, Gabriele, Paolo, Pietro, Coro) by Giuseppe Verdi, Ludovic Tezier, Marina Rebeka, Michele Pertusi, Francesco Meli, Mattia Olivieri, Andrea Pellegrini, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di NapoliSimon Boccanegra: Act I: Plebe! Patrizi! (Doge, Amelia, Fiesco, Gabriele, Paolo, Pietro, Coro)Giuseppe Verdi, Ludovic Tezier, Marina Rebeka, Michele Pertusi, Francesco Meli, Mattia Olivieri, Andrea Pellegrini, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di NapoliD Minor07A75 BPM
Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre by Paul Hindemith, Florian Störtz, Aleksandra MyslekDrei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehrePaul Hindemith, Florian Störtz, Aleksandra MyslekD Minor07A75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records