George Gordon's ' "Don’t Do Drugs (Robert)" was released on its scheduled release date, October 9, 2018. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Your Good Friend by George Gordon. The song's track number on the album is #11 out of 19 tracks. The popularity of Don’t Do Drugs (Robert) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Don’t Do Drugs (Robert) by George Gordon has a tempo of 160 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Don’t Do Drugs (Robert) being at 160 BPM, the half-time would be 80 BPM with a double-time of 320 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bartender Story (Kendra) | George Gordon | E Major | 3 | 12B | 125 BPM | ||
| Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
| Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | D Minor | 0 | 7A | 75 BPM | ||
| Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) | Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 1 | 8B | 83 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 9, Novissima hora est; and I fain would sleep (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D Minor | 0 | 7A | 75 BPM | ||
| Cavalleria Rusticano: V. Romance and Scene. Voi lo sapete, O mamma (Santuzza) - Miseri noi [Lucia · Santuzza] | Pietro Mascagni, Filippo Arlia, Berliner Symphoniker, Irina Dolzhenko, Alessandra di Giorgio | E Major | 1 | 12B | 83 BPM | ||
| Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
| Chants sahariens, 5 poèmes touaregs: II La nuit passée | Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | D♭ Major | 0 | 3B | 82 BPM | ||
| Salome, Op. 54 / Scene 4: "Tanz für Mich, Salome" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Major | 5 | 8B | 108 BPM | ||
| Rossini: Petite messe solennelle: IX. Credo in unum Deum | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 2 | 1B | 131 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Alles bleibt still" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 77 BPM | ||
| Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | ||
| Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
| Cole Slaw (Brads and Ashleys) | George Gordon | A Major | 4 | 11B | 101 BPM | ||
| Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. II: Final Scene from Faust | Gustav Mahler, Frances Yeend, Uta Graf, Camilla Williams, Eugene Conley, Martha Lipton, Carlos Alexander, George Gordon, Louis Bernhardt, Westminster Choir, Schola Cantorium, Public School No. 12 Boys Choir, Philharmonic Symphony Orchestra, Leopold Stokow | B♭ Major | 3 | 6B | 108 BPM | ||
| Simon Boccanegra: Act I: Plebe! Patrizi! (Doge, Amelia, Fiesco, Gabriele, Paolo, Pietro, Coro) | Giuseppe Verdi, Ludovic Tezier, Marina Rebeka, Michele Pertusi, Francesco Meli, Mattia Olivieri, Andrea Pellegrini, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D Minor | 0 | 7A | 75 BPM | ||
| Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre | Paul Hindemith, Florian Störtz, Aleksandra Myslek | D Minor | 0 | 7A | 75 BPM |