"Отплытие на остров Цитеры, FP 150" by Франсис Пуленк, Максим Пурыжинский, Ирина Силиванова had its release date on July 17, 2016. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Отплытие на остров Цитеры, FP 150's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Концертные записи классической музыки, Часть II (Live), so we believe that "Отплытие на остров Цитеры, FP 150" is a single. Based on our statistics, Отплытие на остров Цитеры, FP 150's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Отплытие на остров Цитеры, FP 150 by Франсис Пуленк, Максим Пурыжинский, Ирина Силиванова is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ameno reseda | Ernesto Nazareth, Antoine Zemor | D Minor | 2 | 7A | 109 BPM | ||
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Piano Concerto No. 4 in G Minor, Op. 40: III. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 167 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Three Preludes: I. Allegro ben ritmato e deciso in B Flat Major | George Gershwin, Frank Braley | F Major | 1 | 7B | 97 BPM | ||
| Piano Concerto "The World of Yesterday": II. Waltz Variations – | Stephen Hough, Hallé, Sir Mark Elder | D Major | 1 | 10B | 140 BPM | ||
| Gershwin: Rhapsody in Blue, Pt. 3 (1942 Version, Orch. Grofé) | George Gershwin, Martin James Bartlett, Joshua Weilerstein, London Philharmonic Orchestra | A♭ Major | 4 | 4B | 74 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | D Minor | 3 | 7A | 113 BPM | ||
| Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Pavane, Op. 50 (Arr. for Chamber Ensemble) | Gabriel Fauré, François Salque, Eric Le Sage, Lise Berthaud, Pierre Fouchenneret, Alexandre Pascal, Fleur Gruneissen, Florent Pujuila | C Major | 4 | 8B | 67 BPM | ||
| Edward Sissorhands - Manin Title & Ice Dance - From "Edward Scissorhands" | Danny Elfman, Hollywood Bowl Orchestra, John Mauceri | C Major | 1 | 8B | 82 BPM | ||
| Má Vlast, JB1:112: III. Sarka | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | E Minor | 3 | 9A | 104 BPM | ||
| Serenade for String Orchestra in E Minor, Op. 20: II. Larghetto | Edward Elgar, Daniel Barenboim, English Chamber Orchestra | C Major | 0 | 8B | 59 BPM | ||
| Miniature Triptych: III. Allegro moderato | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | E Major | 2 | 12B | 132 BPM | ||
| Romeo And Juliet Fantasy Overture (Excerpt) | Berlin Symphonic Orchestra | D♭ Major | 0 | 3B | 108 BPM | ||
| Hungarian Dance No. 4 in F Minor: Poco sostenuto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | B♭ Major | 1 | 6B | 135 BPM | ||
| Fortune Telling (After G. Bizet) | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Minor | 0 | 12A | 95 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Die Ruinen von Athen, Op. 113: Marcia alla turca | Ludwig van Beethoven, Lazar Berman | A Minor | 4 | 8A | 136 BPM | ||
| Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | A Minor | 0 | 8A | 81 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Aldo Ciccolini, Alexis Weissenberg, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | A Minor | 0 | 8A | 86 BPM | ||
| Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM | ||
| Ruy Blas Overture, Op. 95, MWV P15 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM |