"A Boy Becomes a Man" by Elitsa Alexandrova, Assassin's Creed had its release date on November 11, 2014. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. A Boy Becomes a Man's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 31 in Assassin's Creed Rogue (Original Game Soundtrack) by Elitsa Alexandrova. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, A Boy Becomes a Man's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of A Boy Becomes a Man by Elitsa Alexandrova, Assassin's Creed is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Assassins Creed Theme | Lorne Balfe, Assassin's Creed | C Minor | 4 | 5A | 100 BPM | ||
| By Choice, by Fate (feat. Julie Elven) | Oleksa Lozowchuk, Julie Elven | D♭ Minor | 3 | 12A | 83 BPM | ||
| Walking Barefoot | Tilman Sillescu, Conny Kollet | F♯ Minor | 4 | 11A | 136 BPM | ||
| Whatever Comes (feat. Julie Elven & Melissa R. Kaplan) | Oleksa Lozowchuk, Julie Elven, Melissa R. Kaplan | G Minor | 5 | 6A | 96 BPM | ||
| A Boat to Freedom | Olivier Deriviere | A Minor | 4 | 8A | 70 BPM | ||
| A Ballet of Blades | Austin Wintory | B Minor | 6 | 10A | 100 BPM | ||
| Hidden Temple | Cris Velasco, Assassin's Creed | B Minor | 3 | 10A | 86 BPM | ||
| For Honor! For Toussaint! | Piotr Musiał | A Minor | 8 | 8A | 90 BPM | ||
| Pilot? What Pilot? | Stephen Barton | D♭ Major | 8 | 3B | 80 BPM | ||
| Roads Ahead | Metro Exodus, Alexey Omelchuk | B Minor | 3 | 10A | 161 BPM | ||
| The Hour of Our Glory | Stephanie Economou, Assassin's Creed | D♭ Major | 7 | 3B | 168 BPM | ||
| The Rager Bear | Nathan Whitehead | B♭ Minor | 6 | 3A | 122 BPM | ||
| Making Your Way Home | Masatoshi Yanagi | B Minor | 1 | 10A | 143 BPM | ||
| Fight the Tyranny | Olivier Deriviere, Assassin's Creed | F Minor | 9 | 4A | 91 BPM | ||
| The Last Sanctuary | Markus Schmidt | G Major | 4 | 9B | 124 BPM | ||
| Animus | Winifred Phillips | F Major | 2 | 7B | 132 BPM | ||
| 200 Years Ago, On an Icy Planet... | James Hannigan | D Minor | 3 | 7A | 80 BPM | ||
| Cathedrals of Steel | Austin Wintory, Assassin's Creed | F Minor | 1 | 4A | 65 BPM | ||
| Comrades in Arms | Brad Derrick | G Major | 4 | 9B | 108 BPM | ||
| City of Sails | Midnight Syndicate | C Major | 3 | 8B | 90 BPM | ||
| Santa Lucia | Joe Henson, Alexis Smith, Assassin's Creed | D♭ Major | 6 | 3B | 115 BPM | ||
| Prison | Joe Henson, Alexis Smith, Assassin's Creed | D♭ Minor | 8 | 12A | 146 BPM | ||
| Silver Sword | Pawel Blaszczak | F Minor | 1 | 4A | 128 BPM | ||
| Modern Assassin | Lorne Balfe | D♭ Major | 8 | 3B | 140 BPM | ||
| Maria | Behruz Qarayev, Bixpat | D♭ Major | 1 | 3B | 90 BPM |