Rekha Trivedi's ' "Me To Neet Uth Dhyau" was released on its scheduled release date, May 1, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Champe Khan's "Jayantsen Swaranjali" album is number 36 out of 56. On top of that, India appears to be the country where this track was created. Based on our statistics, Me To Neet Uth Dhyau's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Me To Neet Uth Dhyau by Rekha Trivedi to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vandan Kariye Shreeprabhu | Rekha Trivedi | G Major | 5 | 9B | 94 BPM | ||
| Rahejo Mari Sathe Sajan | Rekha Trivedi, Uday Mazumdar | F♯ Major | 5 | 2B | 145 BPM | ||
| Baaki Tu Jaane | Sandeep Bansal | D♭ Major | 8 | 3B | 82 BPM | ||
| Hanuman Aarti Superfast | Sahil Solanki, Ravi Khanna, Darpan Agarwal | G Major | 10 | 9B | 122 BPM | ||
| Lav Hathedi Shyam Lakhi Dau | Master Rana | F Major | 5 | 7B | 144 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Neminath Swami Mhari | Bhawar Chaudhari, Rekha Trivedi, Shila Sethiya | A♭ Minor | 6 | 1A | 158 BPM | ||
| Pag Ghungaru Bhandh Mira Nachi Re | Rekha Trivedi | F♯ Minor | 4 | 11A | 177 BPM | ||
| Aman Ka Jhanda | Arvind Kumar, Nirdhan Kirtapur | E♭ Minor | 5 | 2A | 92 BPM | ||
| Govind Mero Hai | Anil Hanslas | D♭ Major | 7 | 3B | 107 BPM | ||
| He Satguru Mata Ji | Shuchi Arora, Amrit Bhen Kanpur | C Minor | 4 | 5A | 98 BPM | ||
| Bolo Re Bolo Mukhe | Kishore Manraja, Shailendra Bharti, Rekha Trivedi | F Minor | 2 | 4A | 117 BPM | ||
| Agharam Maghuram | Shailendra Bharti, Nisha Upadhyay | E♭ Minor | 5 | 2A | 101 BPM | ||
| Samay Maro Sadhje Vala | Ashit Desai, Purshottam Das Jalota, Anuradha Paudwal | D♭ Major | 6 | 3B | 78 BPM | ||
| Satguru Ne Sath Nibhaya | Raju Bumugade, Raju Gopi Dilvar | E♭ Minor | 4 | 2A | 132 BPM | ||
| Muskaye Ke Mero Man | Vinod Agarwal | A♭ Major | 6 | 4B | 127 BPM | ||
| Sri Sarada Suprabhatam | Ramakrishna Math, Swami Sarvagananda | D Major | 4 | 10B | 77 BPM | ||
| Apne Bhakton Ki Suno Zara Pukar | Sharma Bandhu | D♭ Major | 6 | 3B | 155 BPM | ||
| Kala Re Kala Mara | Master Rana | B Minor | 6 | 10A | 164 BPM | ||
| Goswami Tulsidas Hanuman Bahuk Vol 3 | Satish Dehra | D Major | 7 | 10B | 102 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Ekbar Birajo Go Maa | Ramakrishna Math, Swami Kripakarananda | F Major | 5 | 7B | 170 BPM | ||
| Man Ho Ja Diwana Re Shri Shyam Ji Charno Main | Sanju Sharma | C Major | 7 | 8B | 89 BPM | ||
| Rama Ho Rama Ho | Shri Nitin Limaye | F♯ Major | 4 | 2B | 134 BPM | ||
| Hira Moti Sona Chandi Naam Che Jalaram Jogi | Farida Mir | E♭ Minor | 7 | 2A | 80 BPM |