Prashant Shah (Dikubhai), Paras Gada's 'Aa Mara Suri Raaj' had a release date set for January 21, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Prashant Shah (Dikubhai), Paras Gada, Ketan Dedhia's "Guru Geet" album is number 2 out of 4. On top of that, India appears to be the country where this track was created. Based on our statistics, Aa Mara Suri Raaj's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aa Mara Suri Raaj by Prashant Shah (Dikubhai), Paras Gada to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mare Banvu Angar, Pt. 2 - Jain Diksha Song | Jinagam Ratna M.S., C.A. Devansh Doshi, Paras Gada | B♭ Minor | 9 | 3A | 96 BPM | ||
| Girnar Chalisa Gujarati, Pt 1 to 10 | Prashant Shah (Dikubhai) | G Major | 5 | 9B | 132 BPM | ||
| Jagmag Kare Ee Sansaar | Nilotpal Mrinal | F Minor | 4 | 4A | 146 BPM | ||
| Jab Koi Nahi Ata Sai | Amey Date | F Minor | 4 | 4A | 146 BPM | ||
| Bhav Thi Karu Vandana | Piyush Shah | D Major | 7 | 10B | 117 BPM | ||
| Saiyam No Rang Mane Lagyo Mari Mavdi - Jain Diksha Song | Mahek Sheth | F♯ Minor | 7 | 11A | 93 BPM | ||
| KARUNA KARO KASHT HARO | Anika Agrawal | D♭ Major | 7 | 3B | 138 BPM | ||
| Mane Yaad Aavse Taro Sathvaro | Mahek Sheth | F Major | 4 | 7B | 80 BPM | ||
| Veer Mane Vahlo Che | Prashant Shah (Dikubhai) | A♭ Minor | 3 | 1A | 75 BPM | ||
| Laagi Tujhse Lagan | Tripti Shakya | A♭ Major | 5 | 4B | 128 BPM | ||
| Nemji Shamaliya | Bhavesh Sumariya | F♯ Minor | 7 | 11A | 126 BPM | ||
| Mera Shyam Salona | Mohit Lalwani, Bharat Kamal, Devi Chitralekha, Khushboo Choudhary, Smayra Singal | G Major | 5 | 9B | 170 BPM | ||
| Navkar Mantra | Pu.Acharya Udayratna Suriji M.s., Jaydeep Swadia | D♭ Major | 5 | 3B | 104 BPM | ||
| Vairagi Ne Vandan | Mahek Sheth | F Major | 3 | 7B | 148 BPM | ||
| Mata Tujhe Ardaas Karun | Mann Taneja | B♭ Major | 7 | 6B | 96 BPM | ||
| Rajpath Par Janara 2.0 | Parth Doshi, Jainam Variya | B♭ Major | 5 | 6B | 136 BPM | ||
| Saare Jagat Ka Hisaab Hai | Sanjeev Rathod, Anamta Khan | F Major | 5 | 7B | 105 BPM | ||
| Kemre Bhuliy Swami Upkar Apna | Swaminarayan Aksharpith | C Minor | 4 | 5A | 104 BPM | ||
| Maha Laxmi Mantra | Shalini Sharma | F♯ Minor | 7 | 11A | 136 BPM | ||
| Narnarayan Strotra | Shree Swaminarayan Mandir Kalupur | E♭ Major | 4 | 5B | 100 BPM | ||
| ANKH MARI UGHDE TYA SHRIJI | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| O Nemi Niranjan (with Pratham Shah, Het Shah & Yash Vora) | Vansh Jodhavat | A Major | 6 | 11B | 120 BPM | ||
| Tara Mast Gulabi Gaal | Jainam Varia | A♭ Major | 5 | 4B | 76 BPM | ||
| Aa Chhe Angaar Amara | Jaydeep Swadia, Piyush Shah | D♭ Major | 5 | 3B | 125 BPM | ||
| Rang Lagyo | Toronto Rhythm | A♭ Major | 3 | 4B | 160 BPM |