Red Molly's ' "You'll Never Leave Harlan Alive" was released on its scheduled release date, February 1, 2010. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Red Molly's "James" album is number 8 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, You'll Never Leave Harlan Alive's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of You'll Never Leave Harlan Alive by Red Molly to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nest | Ruth Moody | A Major | 3 | 11B | 85 BPM | ||
| Help in Hard Times | Carrie Newcomer | E Minor | 2 | 9A | 144 BPM | ||
| If I Could Talk To A Younger Me | Béla Fleck, Abigail Washburn | A♭ Major | 3 | 4B | 135 BPM | ||
| Hopes Too High | Tift Merritt | D♭ Major | 3 | 3B | 80 BPM | ||
| Farewell to Fiddler's Rim | Dave Carter, Tracy Grammer | G Major | 5 | 9B | 79 BPM | ||
| If I Were a Bluebird | Linda Thompson | F♯ Minor | 2 | 11A | 110 BPM | ||
| One Light Shining | Ruth Moody | E♭ Major | 3 | 5B | 172 BPM | ||
| If Wishes Were Horses | Claire Lynch | F Major | 7 | 7B | 129 BPM | ||
| Stopped My Horse | Pieta Brown, Carrie Rodriguez | D Major | 7 | 10B | 116 BPM | ||
| I Knew I Could Fly | Our Native Daughters | C Major | 2 | 8B | 167 BPM | ||
| Banshee Moan | Shannon McNally | G Minor | 2 | 6A | 128 BPM | ||
| Dear Someone | Red Molly | F Major | 1 | 7B | 173 BPM | ||
| The Road | Amanda Anne Platt & the Honeycutters | D Major | 3 | 10B | 77 BPM | ||
| Desperado | Lucy Wainwright Roche, Suzzy Roche | B Major | 2 | 1B | 132 BPM | ||
| Water In The Ground | Catherine MacLellan | B♭ Major | 2 | 6B | 127 BPM | ||
| Dublin Boys | Antje Duvekot | B Major | 4 | 1B | 132 BPM | ||
| Take Me Back | Sarah Jarosz | B Major | 2 | 1B | 102 BPM | ||
| By the Mark | Red Molly | D Major | 5 | 10B | 176 BPM | ||
| Half A Million Miles | The Kennedys | C Major | 7 | 8B | 118 BPM | ||
| Bury Me Under The Weeping Willow | Rosanne Cash | E♭ Major | 2 | 5B | 81 BPM | ||
| Maiden Voyage | Caroline Herring | A♭ Major | 4 | 4B | 111 BPM | ||
| When It's All Wrong | Red Molly | A Minor | 5 | 8A | 109 BPM | ||
| Gentle Arms of Eden | Dave Carter, Tracy Grammer | C Major | 5 | 8B | 110 BPM | ||
| It Ain't Over Yet | Rodney Crowell, Rosanne Cash, John Paul White | E Major | 6 | 12B | 83 BPM | ||
| Tomorrow Is a Long Time | AJ Lee | A Major | 4 | 11B | 101 BPM |