Jean Ritchie's 'Skin and Bones' had a release date set for 1952. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Singing The Traditional Songs Of Her Kentucky Mountain Family". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Skin and Bones is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Skin and Bones by Jean Ritchie having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Buckeye Jim | Judy Henske | F♯ Major | 2 | 2B | 176 BPM | ||
| John Hardy | Frank Proffitt | B Major | 4 | 1B | 125 BPM | ||
| I Left My Baby | Rosalie Sorrels | A Minor | 0 | 8A | 114 BPM | ||
| Cigarette Blues | Bo Carter | C Minor | 1 | 5A | 111 BPM | ||
| The Ones That I Love | Mama's Broke | B Major | 4 | 1B | 145 BPM | ||
| Jubilee | Jean Ritchie | E Major | 1 | 12B | 126 BPM | ||
| Darling Cora | Nora Brown | G Major | 2 | 9B | 145 BPM | ||
| Blood Thirsty Blues | Victoria Spivey | C Minor | 1 | 5A | 111 BPM | ||
| And Am I Born To Die? | The Doc Watson Family | A Major | 1 | 11B | 83 BPM | ||
| Crying Shame | Clifton Hicks | A Major | 2 | 11B | 65 BPM | ||
| My Old Horse Died | Dock Boggs | A♭ Minor | 3 | 1A | 172 BPM | ||
| No, No, No, I Won't Come (Go) Down No More | Michael Hurley | F♯ Major | 2 | 2B | 81 BPM | ||
| Nobody's Business | Riley Puckett | G Major | 3 | 9B | 98 BPM | ||
| Cannily Cannily | Maddy Prior & Tim Hart | F Major | 3 | 7B | 146 BPM | ||
| Down South Blues | Dock Boggs | D Minor | 4 | 7A | 103 BPM | ||
| Betty and Dupree | Tia Blake | G Major | 1 | 9B | 79 BPM | ||
| Dark Holler | Clarence "Tom" Ashley | A Major | 5 | 11B | 139 BPM | ||
| Fair Nottamun Town | Roger McGuinn, Jean Ritchie | E♭ Minor | 3 | 2A | 178 BPM | ||
| I Don't Mind Failing | Malvina Reynolds | G Major | 2 | 9B | 203 BPM | ||
| Love For Love | Paul Clayton | C Major | 2 | 8B | 69 BPM | ||
| Dulcimer Pieces: Shady Grove, Old King Cole, Skip to My Lou | Jean Ritchie | G Minor | 5 | 6A | 120 BPM | ||
| Rye Whiskey | Frank Proffitt | A Major | 2 | 11B | 181 BPM | ||
| Silver Whistle | Maddy Prior, June Tabor | G Major | 2 | 9B | 136 BPM | ||
| We Are Free | John S Comeaux | B♭ Major | 2 | 6B | 110 BPM | ||
| Cluck Old Hen | Frank Proffitt | C Major | 3 | 8B | 137 BPM |