Kishore Kumar, Asha Bhosle's ' "Mere Hosh Ley Lo - From "Bandish"" was released on its scheduled release date, September 5, 2024. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 8 out of 9 in Asha Bhosle Ka Romantic Safar by Asha Bhosle. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Mere Hosh Ley Lo - From "Bandish"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Mere Hosh Ley Lo - From "Bandish" by Kishore Kumar, Asha Bhosle is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Bekraar Tha Dil Bekraar Hai | Shabbir Kumar, Anuradha Paudwal | A Major | 6 | 11B | 116 BPM | ||
| Aana Jana (Part I) - From "Geraftaar" | Bappi Lahiri, Shabbir Kumar | F♯ Minor | 5 | 11A | 89 BPM | ||
| O Meri Ladli (Part - 1) | Suman Kalyanpur | E Minor | 9 | 9A | 171 BPM | ||
| Isharon Isharon Men Dil Lenewale | Asha Bhosle, Mohammed Rafi | F Major | 4 | 7B | 137 BPM | ||
| Tasveer Banata Hoon | Talat Mahmood | F♯ Major | 3 | 2B | 122 BPM | ||
| Saudagar Sauda Kar | Manhar Udhas, Kavita Krishnamurthy, Sukhwinder Singh, Laxmikant–Pyarelal | A Major | 6 | 11B | 143 BPM | ||
| Chahe Meri Jaan Tu Le Le | Jolly Mukherjee, Sapna Mukherjee | A Major | 7 | 11B | 98 BPM | ||
| Chhodenge Na Hum Tera Saath | Anuradha Paudwal, Mohammed Aziz | F♯ Minor | 7 | 11A | 91 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Jaye To Jaye Kahan, From ''Taxi Driver'' | Talat Mahmood | G Minor | 1 | 6A | 140 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Jooma Chumma De De | Sudesh Bhosle, Kavita Krishnamurthy | G Minor | 9 | 6A | 113 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Commentary Tabussum And De De Pyar De De - Sharaabi | Tabassum, Kishore Kumar, Bappi Lahiri | G Minor | 6 | 6A | 116 BPM | ||
| Maine Tere Liye | Mukesh | E♭ Major | 7 | 5B | 126 BPM | ||
| Mere Sapnon Ki Rani (From "Aradhana") | Kishore Kumar | A♭ Major | 7 | 4B | 119 BPM | ||
| Mujhe Tum Nazar Se Gira Toh Rahe Ho | Mehdi Hassan | C Major | 5 | 8B | 94 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Sansar Ki Har Shae | Mahendra Kapoor | G Minor | 4 | 6A | 123 BPM | ||
| Tum Haseen Kis Kadar Ho | Mohammed Aziz, Anuradha Paudwal, Laxmikant–Pyarelal | A♭ Major | 8 | 4B | 140 BPM | ||
| Pyar Mein Kabhi Kabhi - From "Chalte Chalte" | Shailendra Singh, Lata Mangeshkar | D Major | 8 | 10B | 80 BPM | ||
| Udja Kale Kawan | Udit Narayan | D♭ Major | 6 | 3B | 139 BPM | ||
| Main Teri Hoon Janam | Sadhana Sargam | F♯ Major | 6 | 2B | 138 BPM |