On August 31, 2009, the song "Lagna Geet" was released by Ramesh Nakhwa. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 14 in Chikna Chikna Mhavra Maza by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Lagna Geet is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Lagna Geet by Ramesh Nakhwa is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chuna Yechaya Lavin Tula | Sajan Bendre | D♭ Major | 9 | 3B | 127 BPM | ||
| Sukhi Thev Kalu Mazha Dhani | Sakharabai Tekale | B Major | 8 | 1B | 129 BPM | ||
| Mazya Saichi Ajab Kahani | Omkar Mahadik | B♭ Minor | 8 | 3A | 125 BPM | ||
| Paha Paha Manjula | Kiran, Parmanand | F Minor | 7 | 4A | 114 BPM | ||
| Jaanta Raja | Milind Shinde | E♭ Minor | 7 | 2A | 76 BPM | ||
| Navriche Mandwane | Shrikant Narayan | B♭ Major | 6 | 6B | 85 BPM | ||
| Amrutachi Godi Tuzya Bhajanat | Suryakant Shinde | F♯ Minor | 9 | 11A | 86 BPM | ||
| Paru Ga Majhe Paru (From "Raatri Barala Doghancha Jupla") | Milind Shinde | A♭ Minor | 8 | 1A | 128 BPM | ||
| Zhalo Tuzhyavar Phida | Mahendra Kapoor, Usha Mangeshkar | B♭ Major | 2 | 6B | 109 BPM | ||
| Aadimaya Ambabai | Asha Bhosle | C Major | 3 | 8B | 93 BPM | ||
| Nath Ahe Majhya Nakat | Sakharabai Tekale | C Major | 8 | 8B | 127 BPM | ||
| Pori Saangatay Go | Anant Panchal, Shaila Chikhale | A♭ Major | 6 | 4B | 82 BPM | ||
| Samjal ka Tule Kaju Mhantes Male | Dhamma Dhanve, Shravasti Suradkar | A♭ Major | 9 | 4B | 142 BPM | ||
| Yedu Namacha Elaaz | Chandan Kamble | A Major | 8 | 11B | 99 BPM | ||
| Majha Kombara Koni Mariyela | Shahir Pandurang Agawane, Chorus | B♭ Major | 5 | 6B | 76 BPM | ||
| Udo Udo Bola | Damodar Vitaokar | F Minor | 4 | 4A | 71 BPM | ||
| Dhak Dhak Manat Zalaya Suru | Uttara Kelkar, Sudesh Bhosle | D Minor | 7 | 7A | 113 BPM | ||
| Jo Bala Jo Jo | Anand Shinde | A♭ Major | 5 | 4B | 169 BPM | ||
| Datt Namacha Laago Chhand | Suresh Wadkar | A♭ Minor | 6 | 1A | 106 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Raatbhar Karaych | Milind Shinde | B Major | 6 | 1B | 94 BPM | ||
| Mangachi Caller Tait | Chandan Kamble | B Major | 10 | 1B | 120 BPM | ||
| Raja Tejukayacha Maan Pahila | Sanjay Sawant | G Minor | 9 | 6A | 113 BPM | ||
| Panduranga Ra Karuna Kara Ra | Chandrashekhar Gadgil | B♭ Major | 9 | 6B | 96 BPM | ||
| Bhima Tujya Jalmamule | Shravan Yashwante | E Minor | 5 | 9A | 143 BPM |