Stachowitz, Rosa Lamoreaux's ' "Veni, Veni Consolator" was released on its scheduled release date, January 1, 1998. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Veni, Veni Consolator's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 25 in Celestial Beauty in the Mission by Rosa Lamoreaux. In terms of popularity, Veni, Veni Consolator is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Veni, Veni Consolator by Stachowitz, Rosa Lamoreaux is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
| Hasse: Serpentes ignei in deserto: Recitativo. "Tandem cessent clamores" (Josue) | Johann Adolf Hasse, Thibault Noally, Les Accents, Bruno de Sá | B♭ Minor | 1 | 3A | 92 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VII. Sanctus | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 2 | 8A | 46 BPM | ||
| Thesée: Trio pour les habitants de l'isle enchantée | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | A Minor | 1 | 8A | 88 BPM | ||
| Heilig ist Gott, Wq. 217: Heilig ist Gott, Wq. 217: 2. Chor der Engel und Völker. Heilig, heilig, heilig ist Gott | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B Major | 2 | 1B | 135 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Psalm 123 (Live) | Christelijk Mannenkoor Soli Deo Gloria Urk, Jaap Kramer, Harm Hoeve, Johan Bredewout | G Major | 1 | 9B | 136 BPM | ||
| Kyrie, RV 587: Kyrie eleison | Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon | B♭ Major | 2 | 6B | 85 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | F♯ Minor | 1 | 11A | 112 BPM | ||
| Missa Sanctae Crucis, MH 56: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
| Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
| Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| X. Alleluja, ein Prinz ist da! | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Purcell: Now That the Sun Hath Veiled His Light, Z. 193 | Henry Purcell, Nancy Argenta, Paul Nicholson | D♭ Major | 0 | 3B | 71 BPM | ||
| Deutsche Messe, D. 872: III. Zum Evangelium und Credo. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Messiah, HWV 56: Part 1: His yoke is easy (Chorus) | Nikolaus Harnoncourt | A Major | 1 | 11B | 80 BPM | ||
| Paulus: I. Teil: Nr. 19 Aria mit Chor B "Ich danke dir, Herr, mein Gott" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, Philippe Herreweghe, La Chapelle Royale | G Major | 2 | 9B | 73 BPM | ||
| Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Gloria in D Major, RV 589: VII. Domine, fili unigenite | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 114 BPM | ||
| Solomon, HWV 67, Act I Scene 1: No. 8 "Throughout the land Jehovah's praise record" (Chorus of Israelites) | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Daniel Reuss | E Major | 2 | 12B | 73 BPM | ||
| Mass in D Minor: Kyrie. Christe eleison | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F♯ Minor | 1 | 11A | 71 BPM | ||
| Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM |