Stan Getz, Luiz Bonfá's ' "Ebony Samba - Alternate Take" was released on its scheduled release date, 1963. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Stan Getz, Luiz Bonfá's "Jazz Samba Encore!" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ebony Samba - Alternate Take's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ebony Samba - Alternate Take by Stan Getz, Luiz Bonfá to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barracao | Toco | D♭ Major | 7 | 3B | 160 BPM | ||
| Moonlight In Vermont | Stan Getz, Astrud Gilberto | D♭ Major | 3 | 3B | 63 BPM | ||
| Espairecendo | Hareton Salvanini | F Major | 5 | 7B | 115 BPM | ||
| Con Alma | Stan Getz, Chick Corea, Bill Evans | F♯ Major | 3 | 2B | 141 BPM | ||
| Blues Walk | Lou Donaldson | F Minor | 3 | 4A | 121 BPM | ||
| Silvana | Sandro Brugnolini, Luigi Malatesta | G Minor | 3 | 6A | 119 BPM | ||
| Lilacs in the Rain | Junior Mance | F Major | 0 | 7B | 114 BPM | ||
| Yesterday's Dreams | Freddie Hubbard | A Minor | 4 | 8A | 109 BPM | ||
| Amazonas | João Donato | D♭ Minor | 5 | 12A | 83 BPM | ||
| My Ideal | Kenny Dorham | E Minor | 1 | 9A | 65 BPM | ||
| Nosso Choro | Garoto, José Menezes, Dino | C Minor | 1 | 5A | 106 BPM | ||
| The Last One To Be Loved | Gábor Szabó | E Minor | 4 | 9A | 119 BPM | ||
| Despues de Las Seis | Agustin Pereyra Lucena | A Minor | 5 | 8A | 144 BPM | ||
| Se É Tarde Me Perdoa | Sylvia Telles | D Minor | 1 | 7A | 131 BPM | ||
| Sorriu Para Mim | Rosa Passos, Ron Carter | D Major | 3 | 10B | 96 BPM | ||
| Nós E O Mar | Tamba Trio | E Minor | 6 | 9A | 142 BPM | ||
| That Lucky Old Sun | Yusef Lateef | E♭ Major | 1 | 5B | 132 BPM | ||
| Serenidade | Dave Pike | B♭ Major | 3 | 6B | 78 BPM | ||
| Dirty Old Bossa Nova | The Howard Roberts Quartet | B♭ Major | 2 | 6B | 82 BPM | ||
| Ligia | Stan Getz | F♯ Minor | 3 | 11A | 150 BPM | ||
| Midnight Samba | Stan Getz | G Minor | 2 | 6A | 147 BPM | ||
| Nancy (With The Laughing Face) | John Coltrane Quartet | F Major | 1 | 7B | 116 BPM | ||
| Folia no Samba | The Ipanemas | E Minor | 7 | 9A | 119 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| Dedicated To You | Freddie Hubbard | B♭ Major | 1 | 6B | 125 BPM |