精神的 怖い音's ' "怖いピアノBGM" was released on its scheduled release date, October 2, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 怖い音楽2020: 不気味な雰囲気の音源, 不気味な声, ハロウィンお化け屋敷, so we believe that "怖いピアノBGM" is a single. 怖いピアノBGM is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 怖いピアノBGM by 精神的 怖い音 is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghosts of the Corp | Benjamin Young | G Major | 3 | 9B | 155 BPM | ||
| Regret | Hideakira Kimura | C Minor | 1 | 5A | 133 BPM | ||
| Promise Me | Akira Yamaoka | E Major | 0 | 12B | 69 BPM | ||
| 永い夜 II(アウトテイク) | Marihiko Hara | C Minor | 1 | 5A | 82 BPM | ||
| 困らせたよな | 鈴木ヤスヨシ | E Major | 0 | 12B | 69 BPM | ||
| お化け屋敷 | 精神的 怖い音 | C Major | 4 | 8B | 108 BPM | ||
| 究極立体音響 | 8Dプレイリスト | F♯ Major | 2 | 2B | 85 BPM | ||
| 囚われるもの | Kenji Kawai | C Minor | 1 | 5A | 124 BPM | ||
| Donoko | Jun Futamata | A Minor | 1 | 8A | 71 BPM | ||
| Root Extraction | Ockeroid | D♭ Major | 0 | 3B | 75 BPM | ||
| Ultimate Nightmare | Go Sakabe | F Major | 5 | 7B | 78 BPM | ||
| 神社の音 | MOJI | A Major | 2 | 11B | 134 BPM | ||
| どうする?逃げるか来るか | Masahiro Tokuda | D♭ Major | 6 | 3B | 140 BPM | ||
| Mark Steiner | Redkattseven | F♯ Major | 0 | 2B | 74 BPM | ||
| 誰もいない音楽室 | 精神的 怖い音 | B Minor | 3 | 10A | 85 BPM | ||
| Vatican City | Masashi Hamauzu | C Major | 2 | 8B | 112 BPM | ||
| ミスト | 稿屋 隆 | E Major | 0 | 12B | 69 BPM | ||
| Back Light | Ken Arai | A Minor | 3 | 8A | 174 BPM | ||
| なんだこれは ! (奇獣大行進) | タローマン合唱団 | D Minor | 5 | 7A | 165 BPM | ||
| Village of the Gi - FF7 Rebirth OST Ver. | 鈴木 光人, 土岐 望 | E Major | 0 | 12B | 69 BPM | ||
| Forever Gone | zdone | C Minor | 1 | 5A | 78 BPM | ||
| 超音波ネズミよけ | nBeats | B♭ Minor | 10 | 3A | 120 BPM | ||
| English Woods | RK7 | A Minor | 8 | 8A | 130 BPM | ||
| distress | Kensuke Ushio | D Major | 10 | 10B | 130 BPM | ||
| Fang and Scale | Keiji Inai | F♯ Major | 7 | 2B | 103 BPM |