Evan Call's 'Laid-back Days' had a release date set for December 25, 2024. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Laid-back Days's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "TVアニメ『戦国妖狐』オリジナルサウンドトラック". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Japan. Laid-back Days is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Laid-back Days by Evan Call having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wherever You Are, Wherever You May Be | Evan Call | C Major | 2 | 8B | 85 BPM | ||
| Powerful Enemy Encounter | Keiji Inai | C Major | 7 | 8B | 151 BPM | ||
| Believe In... - Short Size | 結城アイラ | C Major | 2 | 8B | 85 BPM | ||
| ケーナ | 夢見クジラ | A Major | 3 | 11B | 168 BPM | ||
| Romantic Ballad at the Castle | maats | E Major | 4 | 12B | 141 BPM | ||
| The Promised Neverland (Pf solo Version) | 小畑貴裕 | E♭ Major | 1 | 5B | 83 BPM | ||
| ペンギン・ハイウェイのテーマ | Umitaro Abe | E Major | 2 | 12B | 132 BPM | ||
| a tiny love | 梶浦 由記 | D Minor | 0 | 7A | 79 BPM | ||
| 英雄のタクト - 起源 - | Kenichiro Suehiro | F Minor | 8 | 4A | 130 BPM | ||
| Echo Through Eternity - 2025 Live Version | 田尻真高, 東京シティ・フィルハーモニック管弦楽団, 合唱団「Barzz~鳥の吟遊詩人たち~®」 | F Minor | 3 | 4A | 79 BPM | ||
| What Meets the Eye | Tomoki Miyoshi | B♭ Major | 1 | 6B | 101 BPM | ||
| The Songstress Aria | TRUE | C Major | 2 | 8B | 85 BPM | ||
| Redemption and Forgiveness | Tomoki Miyoshi | A♭ Minor | 1 | 1A | 144 BPM | ||
| 貴族の品格 | 田山里奈 | B♭ Major | 5 | 6B | 180 BPM | ||
| I Have to Do It | 神前 暁 | D Major | 4 | 10B | 83 BPM | ||
| Echoes of Tomorrow | Chamber Chu | F Major | 3 | 7B | 146 BPM | ||
| Departures | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
| Main Theme (From "The Place Promised in Our Early Days") | Eminence Symphony Orchestra | G Major | 1 | 9B | 108 BPM | ||
| Happiness ~Requiem from“The Blind Alchemist”~ | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| 沈黙のレクイエム | Kenichiro Suehiro | C Minor | 3 | 5A | 119 BPM | ||
| 二人の旅 - 「ソマリと森の神様」メインテーマⅠ | ソマリと森の神様 | G Major | 3 | 9B | 144 BPM | ||
| Never Coming Back | Evan Call | D Minor | 1 | 7A | 140 BPM | ||
| Labyrinth Love Story | Keiji Inai | C Major | 1 | 8B | 93 BPM | ||
| The Quiet Evening | Mina Kubota | G Major | 3 | 9B | 80 BPM | ||
| 王様ランキング -勇気!- | MAYUKO | F Major | 5 | 7B | 106 BPM |