Julian Fauth's ' "Casey Jones" was released on its scheduled release date, September 15, 2017. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The Weak and the Wicked". In this album, this song's track order is #5. Casey Jones is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Casey Jones by Julian Fauth having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falling Back In Love With You | Marcia Ball | B♭ Major | 4 | 6B | 198 BPM | ||
| Steps | scoth | E♭ Major | 3 | 5B | 104 BPM | ||
| Soft-Hearted Woman | Mississippi Heat | F Minor | 5 | 4A | 119 BPM | ||
| I'm a Stranger Here | Fiona Boyes | C Major | 3 | 8B | 115 BPM | ||
| Scam Me, Scam Me Not | Little G Weevil | E Minor | 5 | 9A | 73 BPM | ||
| It Would Be Better for the Bad to Be Good | Henrik Freischlader | A♭ Major | 2 | 4B | 168 BPM | ||
| Ain't That Just Like a Woman | Billy Boy Arnold | D♭ Minor | 7 | 12A | 78 BPM | ||
| About to Lose Your Clown | Gary Smith | B♭ Major | 4 | 6B | 115 BPM | ||
| Going Back To Louisiana | Clarence "Gatemouth" Brown | F Minor | 8 | 4A | 124 BPM | ||
| Big City, Small Hope | Velvet Burn | A♭ Major | 4 | 4B | 99 BPM | ||
| In The Rain | Deanna Bogart | G Major | 7 | 9B | 120 BPM | ||
| Bow Legged Daddy | Maria Muldaur | A♭ Minor | 6 | 1A | 94 BPM | ||
| Rumours | Lars Glaso | C Major | 6 | 8B | 108 BPM | ||
| 'Fore Day Rider | Jay McShann | A♭ Major | 2 | 4B | 96 BPM | ||
| Go Forward, Go On | Tom Lessner | C Major | 6 | 8B | 111 BPM | ||
| Burning Fire | Luvanio | A♭ Major | 3 | 4B | 124 BPM | ||
| Can't Believe It's This Good | JJ Appleton, Jason Ricci | D Major | 7 | 10B | 81 BPM | ||
| Hip Shakin;' | Bob Corritore, Lil' Ed | D Major | 8 | 10B | 94 BPM | ||
| Ninety Nine | Sam Myers | F Minor | 7 | 4A | 115 BPM | ||
| Walter Davis Blues | Christian Rannenberg | D Major | 4 | 10B | 117 BPM | ||
| Can't Stop Thinkin' | Professor Porkchop & the Dishes | C Major | 2 | 8B | 98 BPM | ||
| Slow Blues | Cephas & Wiggins | D Major | 2 | 10B | 90 BPM | ||
| The Price You Pay | Lloyd Spiegel | D Major | 4 | 10B | 180 BPM | ||
| Boogie Woogie Showdown | Kenny 'blues Boss' Wayne | E Minor | 7 | 9A | 81 BPM | ||
| Love Gone Cold | Errol Linton | E♭ Major | 3 | 5B | 104 BPM |