On January 14, 1996, the song "Chhoawniyan Ch Chan" was released by Ranjit Kaur. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The song is number 2 out of 8 in Aah Le Phad Mundra by Muhammad Sadiq. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chhoawniyan Ch Chan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chhoawniyan Ch Chan by Ranjit Kaur is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Munda Pyar Karda | Amrita Virk | A♭ Minor | 9 | 1A | 95 BPM | ||
| Turangen Thakevan Lahke | Sajan Firozpuri | B Minor | 9 | 10A | 129 BPM | ||
| Sagna Di Raat | Sajan Firozpuri | A Minor | 6 | 8A | 95 BPM | ||
| Chheti Chheti Laija Haaniyaan | Baaz Singh Baaz, Sukhwinder Sukhi | D♭ Major | 8 | 3B | 120 BPM | ||
| Kade Bombay Kade Gauhati | Amrit Virk | F Minor | 9 | 4A | 90 BPM | ||
| Dharmik Geet | AMRIK TOOFAN, Harjit Mattu | A♭ Major | 8 | 4B | 97 BPM | ||
| Gidde Vich Saali Nachdi | Mohd. Sadiq, Ranjit Kaur | F Major | 7 | 7B | 129 BPM | ||
| Kale Jahe Til Waliye | Lovely Nirman | E Minor | 8 | 9A | 190 BPM | ||
| Tuti Yaari Da | Muhammad Sadiq, Ranjit Kaur | F♯ Minor | 9 | 11A | 92 BPM | ||
| Kade Bhul Ke Na Aau | Labh Heera | B♭ Minor | 6 | 3A | 94 BPM | ||
| Hick De Taveet | Raja Sidhu, Rajvinder Kaur | B Minor | 9 | 10A | 94 BPM | ||
| Saamne Mod Ghar Tera | Mohd. Sadiq, Ranjit Kaur | E Minor | 8 | 9A | 126 BPM | ||
| Sraingan Pyar Di | Amrik Toofan, Harjit Mattu | D♭ Major | 7 | 3B | 77 BPM | ||
| Jadon Ambran Toh Sutti | Anmol Virk | C Major | 8 | 8B | 155 BPM | ||
| Ree Choganan Naam Se Mera | Parveen Chawariya | F Minor | 9 | 4A | 118 BPM | ||
| Kurhi Kabootr Wargi | Ranjit Kaur, Muhammad Sadiq | B♭ Minor | 4 | 3A | 117 BPM | ||
| Sadi Hoor Hundi Si | Gurpreet Dhatt | B Major | 8 | 1B | 90 BPM | ||
| Udhne Sapp Wargi | Hardev Mahinangal, Anita Samana | D♭ Minor | 9 | 12A | 100 BPM | ||
| Has Baliye - Duet | Mohammed Rafi, Ranjit Kaur | D♭ Minor | 6 | 12A | 93 BPM | ||
| Supne Ch Tang Karda | Kabal Rajasthani | D♭ Major | 8 | 3B | 83 BPM | ||
| Na Tu Marha Na Main | Gora Chak Wala | B♭ Minor | 8 | 3A | 157 BPM | ||
| Ik Raat Katt Dere | Sajan Firozpuri | G Major | 9 | 9B | 95 BPM | ||
| Mela | Bhupinder Gill, Miss Neelam | A Minor | 9 | 8A | 168 BPM | ||
| Bhain Meri Di Dhad Vajai | Jagga Safri, Kiranjoti | D Major | 10 | 10B | 96 BPM | ||
| Satnam De Likhari | Vijay Hans | A♭ Major | 9 | 4B | 90 BPM |