Tanya Tucker's ' "Walking Shoes" was released on its scheduled release date, January 1, 1992. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tanya Tucker's "Hits" album is number 20 out of 22. Based on our statistics, Walking Shoes's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Walking Shoes by Tanya Tucker to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pickin' up Strangers | Johnny Lee | C Major | 3 | 8B | 134 BPM | ||
| Golden Ring | George Jones, Tammy Wynette | B Major | 5 | 1B | 166 BPM | ||
| Hurt Me Bad (In A Real Good Way) | Patty Loveless | D Major | 5 | 10B | 133 BPM | ||
| She's In Love With The Boy - Single Version | Trisha Yearwood | E♭ Major | 7 | 5B | 125 BPM | ||
| Once a Day | Connie Smith | F♯ Major | 4 | 2B | 137 BPM | ||
| Bye-Bye | Jo Dee Messina | B♭ Major | 9 | 6B | 134 BPM | ||
| Cry, Cry, Cry | Highway 101 | D Major | 6 | 10B | 125 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| What Part of No | Lorrie Morgan | E♭ Major | 5 | 5B | 130 BPM | ||
| She Got the Goldmine (I Got the Shaft) | Jerry Reed | A Major | 7 | 11B | 111 BPM | ||
| The Yellow Rose | Johnny Lee | F Major | 3 | 7B | 90 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| After The Fire Is Gone | Conway Twitty, Loretta Lynn | E Major | 3 | 12B | 51 BPM | ||
| Greener Than The Grass (We Laid On) | Tanya Tucker | A Major | 5 | 11B | 81 BPM | ||
| The Yellow Rose | Johnny Lee (With Lane Brody) | F Major | 3 | 7B | 89 BPM | ||
| Watermelon Crawl | Tracy Byrd | C Major | 7 | 8B | 137 BPM | ||
| Midnight Girl / Sunset Town | Sweethearts of the Rodeo | B♭ Major | 7 | 6B | 163 BPM | ||
| Psycho | Jack Kittel | A Major | 4 | 11B | 96 BPM | ||
| That's How I Got To Memphis | Tom T. Hall | E Major | 4 | 12B | 110 BPM | ||
| Out of Hand | Gary Stewart | G Major | 4 | 9B | 112 BPM | ||
| Big City | Merle Haggard | A♭ Minor | 7 | 1A | 90 BPM | ||
| Okie From Muskogee | Merle Haggard | D Major | 4 | 10B | 140 BPM | ||
| The Bed You Made for Me | Highway 101 | A♭ Major | 5 | 4B | 138 BPM | ||
| Trashy Women - Remastered Version | Confederate Railroad | A Major | 8 | 11B | 143 BPM | ||
| Saginaw, Michigan | Lefty Frizzell | B♭ Major | 4 | 6B | 146 BPM |