Paul Kelly's ' "Take It Handy" was released on its scheduled release date, November 7, 2025. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Take It Handy's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Seventy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Australia. Based on our statistics, Take It Handy's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Take It Handy by Paul Kelly having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wreckage of One Vision of You | Josh Ritter | A♭ Major | 6 | 4B | 110 BPM | ||
| Keep It Coming | Homesick Hank | F Major | 7 | 7B | 138 BPM | ||
| Double Business Bound | Paul Kelly | A Major | 5 | 11B | 73 BPM | ||
| If It Wasn't For The Wind | Jeff Talmadge | C Major | 4 | 8B | 113 BPM | ||
| Suburbia | Floodlights | A Major | 8 | 11B | 101 BPM | ||
| All the Time | Bret McKenzie | F Major | 8 | 7B | 108 BPM | ||
| Hairlift | Steve Poltz | F Major | 7 | 7B | 138 BPM | ||
| Cherry Red | Mark Seymour, Undertow | A Major | 8 | 11B | 160 BPM | ||
| Catch one on the fly | Sunken Lands | C Major | 5 | 8B | 91 BPM | ||
| Eye on the Road | Jay Farrar, Shannon McNally | F Major | 3 | 7B | 123 BPM | ||
| Big Time | Emily Lubitz | F♯ Major | 5 | 2B | 135 BPM | ||
| Heaven's Gates | Louisiana Surf Department | A Major | 7 | 11B | 145 BPM | ||
| Breakdown | Scott Lavene | C Major | 5 | 8B | 133 BPM | ||
| Summer’s Love (Winter’s Pain) | The Pink Stones | D Major | 5 | 10B | 99 BPM | ||
| Edgartown | The Mallett Brothers Band | G Minor | 9 | 6A | 127 BPM | ||
| A New Day Has Come | Kasey Chambers | C Major | 5 | 8B | 126 BPM | ||
| Won't Give In - Live | Neil Finn, Paul Kelly | G Major | 8 | 9B | 113 BPM | ||
| Do It Now | Yorick van Norden | G Major | 8 | 9B | 133 BPM | ||
| River | North Folk | C Major | 7 | 8B | 140 BPM | ||
| Collide | Nashville Exile | F Major | 7 | 7B | 138 BPM | ||
| Right Back to It | Silver Lining | E Major | 4 | 12B | 130 BPM | ||
| Long Tall Shadow | Ben Arnold | C Major | 4 | 8B | 104 BPM | ||
| The Stars and the Rain | Pat Blake and the Bad Hombres | A Major | 5 | 11B | 146 BPM | ||
| Commiserating | Bill Janovitz | F Major | 7 | 7B | 138 BPM | ||
| Little Victories | The Warratahs | A Minor | 3 | 8A | 94 BPM |