Mohammed Rafi's ' "Raha Gardishon Mein Hardam" was released on its scheduled release date, January 1, 1966. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 6 in Do Badan by Ravi, Shakeel Badayuni. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Raha Gardishon Mein Hardam is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Raha Gardishon Mein Hardam by Mohammed Rafi is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agar Teri Jalwa Numai Na Hoti | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 4 | 4B | 77 BPM | ||
| Na Moonh Chhupa Ke Jiyo | Mahendra Kapoor | F Major | 5 | 7B | 135 BPM | ||
| Zindagi Pyar Ki Do Char Ghadi | Hemant Kumar | E Major | 2 | 12B | 112 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Dil Dhundta Hain | Bhupinder Singh | D Major | 3 | 10B | 85 BPM | ||
| Main Pal Do Pal Ka Shair Hoon | Mukesh | E Major | 3 | 12B | 124 BPM | ||
| Commentry Tabassum And Zindagi Pyar Ka Geet Hai | Tabassum, Kishore Kumar, Usha Khanna | F♯ Major | 4 | 2B | 87 BPM | ||
| Aaj Se Pehle Aaj Se Jyada | K. J. Yesudas | B♭ Minor | 6 | 3A | 89 BPM | ||
| Ae Nargise Mastana (From "Arzoo") | Mohammed Rafi | G Major | 5 | 9B | 147 BPM | ||
| Tu Ganga Ki Mauj | Naushad, Shakeel Badayuni, Lata Mangeshkar, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM | ||
| Barsaat Ke Mausam Mein | Kumar Sanu, Roop Kumar Rathod | A Minor | 6 | 8A | 148 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Tum Mujhe Yun Bhula Na Paoge | Mohammed Rafi | B♭ Minor | 6 | 3A | 89 BPM | ||
| Ghungroo Toot Gaye | Pankaj Udhas | B Major | 5 | 1B | 116 BPM | ||
| Mere Paas Aao Mere Dosto | Amitabh Bachchan, Master Ravi | D Major | 3 | 10B | 77 BPM | ||
| Yeh Lo Main Haari Piya | Geeta Dutt, Majrooh Sultanpuri | E♭ Major | 5 | 5B | 83 BPM | ||
| Meri Jaan Tum Pe Sadke | Mahendra Kapoor | F♯ Major | 4 | 2B | 181 BPM | ||
| Diya Jalao | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Aaj Kal Yaad Kuch Aur Rehta Nahin | Mohammed Aziz | D Major | 6 | 10B | 123 BPM | ||
| Milte Hi Ankhen Dil Hua Diwana | Shamshad Begum, Talat Mahmood | A Minor | 5 | 8A | 97 BPM | ||
| Dil Mein Ek Lehar Si Uthi Hai | Ghulam Ali | G Major | 3 | 9B | 101 BPM |