Albert de Rippe, Paul O'Dette's 'Douce mémoire' had a release date set for October 18, 2019. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Rippe: Works for lute 'Un perfaict sonneur de Leut'". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. Based on our statistics, Douce mémoire's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Douce mémoire by Albert de Rippe, Paul O'Dette having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | ||
| MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
| Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 88 BPM | ||
| Alemanda Quarta | Domenico Pellegrini, Albane Imbs | F♯ Major | 1 | 2B | 104 BPM | ||
| A Fancy | John Danyel, Lynda Sayce, Matthew Spring | A♭ Minor | 0 | 1A | 98 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Prélude | Charles Mouton, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM | ||
| Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
| Allemande | Adam Falckenhagen, Andrew Maginley | G Major | 1 | 9B | 104 BPM | ||
| Dowland on the Continent - Mauritius Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 98 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Confesse | John Playford, Ensemble Buon tempo | E Major | 2 | 12B | 155 BPM | ||
| Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
| Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
| Lute Sonata No. 11 in D Minor: III. Courante | Silvius Leopold Weiss, Robert Barto | C Major | 1 | 8B | 98 BPM | ||
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| La réthorique des dieux, Suite No. 2 in A Major: IV. La coquette virtuosa | Denis Gaultier, Hopkinson Smith | F♯ Minor | 1 | 11A | 56 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| Distressed Innocence, Z. 577: Air II | Henry Purcell, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 125 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
| Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
| Passamezzo sesto | Vincenzo Galilei, Massimo Lonardi | G Minor | 0 | 6A | 130 BPM | ||
| Fantasia que contrahaze la harpa en la manera de Luduvico | Alonso Mudarra, Harvey Brough, Jacob Heringman, Geraldine McGreevy, Musica Antiqua of London, Philip Thorby | F Major | 0 | 7B | 156 BPM | ||
| La Pacifique | Louis Constantin, Le Poème Harmonique, Vincent Dumestre | F Major | 1 | 7B | 86 BPM |