- BPM
- 78
- Key
- D♭ Major
- Camelot
- 3B
Messiah, Pt. 3: 55. Chorus "Amen" by George Frideric Handel, Dunedin Consort, John Butt Song Details
George Frideric Handel, Dunedin Consort, John Butt's 'Messiah, Pt. 3: 55. Chorus "Amen"' had a release date set for November 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 26 out of 57. On top of that, United Kingdom appears to be the country where this track was created. Messiah, Pt. 3: 55. Chorus "Amen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Messiah, Pt. 3: 55. Chorus "Amen" by George Frideric Handel, Dunedin Consort, John Butt to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -15.489 dB
- Acousticness
- 91%
- Danceability
- 11%
- Energy
- 23%
- Instrumentalness
- 53%
- Liveness
- 19%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 21%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Berenice, HWV 38: Overture. Andante, larghetto "Minuet from Berenice" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | |
 | Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | |
 | Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | E Minor | 1 | 9A | 106 BPM | |
 | Concerto Grosso in E Minor, Op. 6 No. 3, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | |
 | Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | |
 | Trio Sonata in F Major, HWV 392: IV. Allegro assai | George Frideric Handel, The Brook Street Band | E Major | 4 | 12B | 144 BPM | |
| Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante | Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana | F Major | 2 | 7B | 131 BPM | |
 | Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | |
 | Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | |
 | Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | |
 | Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | |
 | Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | |
 | Suite Les Boréades, RCT 31: 9. Entrée d' Albaris, Polimnie, les Muses, Zéphirs, Saisons, Les Heures et Les Arts | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 85 BPM | |
 | Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | |
 | Flute Concerto in G Major: I. Allegro non molto | Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra | G Major | 1 | 9B | 92 BPM | |
 | Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | G Major | 1 | 9B | 135 BPM | |
 | Keyboard Sonata in E Major, Kk. 20 | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | |
 | Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | |
 | Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | |
 | Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | |
 | Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | |
 | Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | George Frideric Handel, Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | E Major | 0 | 12B | 100 BPM | |
 | Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM |
- ISRC
- GBASH0628555
- Label
- L-M Records/RCA Records