"Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack" by James Newton Howard had its release date on November 23, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "The Hunger Games: Mockingjay, Part 2 (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack by James Newton Howard having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into the Book | Christian Henson | E♭ Major | 1 | 5B | 128 BPM | ||
| Fanny and Troy | Craig Armstrong | D♭ Minor | 1 | 12A | 60 BPM | ||
| Dead Men Tell No Tales | Geoff Zanelli | D Minor | 3 | 7A | 85 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Cello Concerto | Bear McCreary | A♭ Minor | 1 | 1A | 165 BPM | ||
| They're Back | James Newton Howard | G Minor | 0 | 6A | 53 BPM | ||
| Basilwether Hall | Daniel Pemberton | C Minor | 2 | 5A | 144 BPM | ||
| Two Stories | Bear McCreary | D Major | 1 | 10B | 73 BPM | ||
| Flying Ship Fight | John Powell | A Minor | 5 | 8A | 117 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| Dead Sister | Brian Reitzell, Alex Heffes | D♭ Major | 1 | 3B | 139 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Real Or Imagined? | James Horner | D Major | 0 | 10B | 105 BPM | ||
| The Vampires Of Venice | Murray Gold | G Major | 0 | 9B | 79 BPM | ||
| What Lies At The Dream's End | Daniel Pemberton | D Minor | 3 | 7A | 87 BPM | ||
| Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
| Creatures | Marc Streitenfeld | A Minor | 4 | 8A | 110 BPM | ||
| The Royal Birth | Ruth Barrett | F Major | 1 | 7B | 87 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Loving Isn't Knowing (The Almost People Suite) | Murray Gold | D Major | 0 | 10B | 200 BPM | ||
| The Duel - Score | Harry Gregson-Williams | B♭ Minor | 3 | 3A | 127 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| There’s Always A Flaw | James Newton Howard | G Minor | 1 | 6A | 81 BPM | ||
| Ship to Shore | David Arnold | D Minor | 0 | 7A | 128 BPM |