Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack
James Newton Howard
The Hunger Games: Mockingjay, Part 2 (Original Motion Picture Soundtrack)
4:58 November 23, 2015
BPM
84
Key
D Minor
Camelot
7A

Embed

Share Link

Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack by James Newton Howard Song Details

"Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack" by James Newton Howard had its release date on November 23, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "The Hunger Games: Mockingjay, Part 2 (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Go Ahead, Shoot Me - From "The Hunger Games: Mockingjay, Part 2" Soundtrack by James Newton Howard having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-25.677 dB
Acousticness
17%
Danceability
10%
Energy
4%
Instrumentalness
96%
Liveness
13%
Loudness
57%
Speechiness
4%
Valence
3%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Into the Book by Christian HensonInto the BookChristian HensonE♭ Major15B128 BPM
Fanny and Troy by Craig ArmstrongFanny and TroyCraig ArmstrongD♭ Minor112A60 BPM
Dead Men Tell No Tales by Geoff ZanelliDead Men Tell No TalesGeoff ZanelliD Minor37A85 BPM
Abandon Ship by Roque BañosAbandon ShipRoque BañosF Minor34A92 BPM
Cello Concerto by Bear McCrearyCello ConcertoBear McCrearyA♭ Minor11A165 BPM
They're Back by James Newton HowardThey're BackJames Newton HowardG Minor06A53 BPM
Basilwether Hall by Daniel PembertonBasilwether HallDaniel PembertonC Minor25A144 BPM
Two Stories by Bear McCrearyTwo StoriesBear McCrearyD Major110B73 BPM
Flying Ship Fight by John PowellFlying Ship FightJohn PowellA Minor58A117 BPM
Lord M by Martin PhippsLord MMartin PhippsE♭ Minor12A70 BPM
Dead Sister by Brian Reitzell, Alex HeffesDead SisterBrian Reitzell, Alex HeffesD♭ Major13B139 BPM
Soul Inside by Antonio PintoSoul InsideAntonio PintoD♭ Minor312A88 BPM
The Mouse by Ilan Eshkeri, London Metropolitan Orchestra, Andy BrownThe MouseIlan Eshkeri, London Metropolitan Orchestra, Andy BrownC Major08B53 BPM
Real Or Imagined? by James HornerReal Or Imagined?James HornerD Major010B105 BPM
The Vampires Of Venice by Murray GoldThe Vampires Of VeniceMurray GoldG Major09B79 BPM
What Lies At The Dream's End by Daniel PembertonWhat Lies At The Dream's EndDaniel PembertonD Minor37A87 BPM
Finale - The Sword in the Stone by Rohan StevensonFinale - The Sword in the StoneRohan StevensonB♭ Minor13A91 BPM
Creatures by Marc StreitenfeldCreaturesMarc StreitenfeldA Minor48A110 BPM
The Royal Birth by Ruth BarrettThe Royal BirthRuth BarrettF Major17B87 BPM
Crossing Mars by Harry Gregson-WilliamsCrossing MarsHarry Gregson-WilliamsC Minor15A70 BPM
Loving Isn't Knowing (The Almost People Suite) by Murray GoldLoving Isn't Knowing (The Almost People Suite)Murray GoldD Major010B200 BPM
The Duel - Score by Harry Gregson-WilliamsThe Duel - ScoreHarry Gregson-WilliamsB♭ Minor33A127 BPM
Johanna & Rachel by David BuckleyJohanna & RachelDavid BuckleyE Major112B78 BPM
There’s Always A Flaw by James Newton HowardThere’s Always A FlawJames Newton HowardG Minor16A81 BPM
Ship to Shore by David ArnoldShip to ShoreDavid ArnoldD Minor07A128 BPM
ISRC
USUG11501559
Label
L-M Records/RCA Records