Rajphool Kuchrania's ' "Itni Parikshya Thik Nahi Sai Nath Mere" was released on its scheduled release date, November 10, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Itni Parikshya Thik Nahi Sai Nath Mere and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Itni Parikshya Thik Nahi Sai Nath Mere's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Itni Parikshya Thik Nahi Sai Nath Mere by Rajphool Kuchrania to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baba Ji Ne Jaan Kaat Lai Meri | Tarun Baliyan | D Major | 9 | 10B | 135 BPM | ||
| Tum Jitna Bhulaoge Hum Utna Yaad Aayange | Jittu Khare | B Minor | 6 | 10A | 83 BPM | ||
| माताजी का मन्दिर ऊपर मोर बोले || रेखा जांगिड़ कोटा || जोगणिया माताजी भजन | JBB STUDIO LIVE KOTA | F Minor | 10 | 4A | 97 BPM | ||
| Shree Shyam Stuti | Roshan Prince | C Minor | 9 | 5A | 132 BPM | ||
| Shyam Chalisa | Shriram Jalwal | C Minor | 8 | 5A | 85 BPM | ||
| Aaja Re Saawre | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Singaji N Liyo Avatar | Ashwin Yadav | D Major | 6 | 10B | 171 BPM | ||
| Sab Kuch Milta Hai Meri Maiyya Ke Darbar Mein | Ram Kumar Lakha | F♯ Minor | 8 | 11A | 117 BPM | ||
| Ram Ji Ka Sewak Ho Ram Ji Ka Diwana | Ram Kumar Lakha | B Major | 9 | 1B | 164 BPM | ||
| Dil Tod Chala Pardeshi | Shaqeel Ashfaq | B♭ Minor | 8 | 3A | 116 BPM | ||
| Balaji Aai Tere Darbaar | Narender Kaushik | B♭ Minor | 9 | 3A | 135 BPM | ||
| Ghumar Ghumar Ran Garaje | Yuvraj Pandey | F Minor | 10 | 4A | 90 BPM | ||
| Bande Le Le Sharan Hari Ki | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Kahey Baer Kareto Insaan | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Haare Ke Sahare Tera Premi | Ram Kumar Lakkha, Udayveer Chauhan | E Major | 7 | 12B | 208 BPM | ||
| Rah Na Pata Seth | Satpal Dausa | A Minor | 7 | 8A | 126 BPM | ||
| Tera Marghat Pujungi Kalka | Mukesh Sharma | E♭ Major | 10 | 5B | 128 BPM | ||
| Bhajan Shyaam Ke Gaungi - Bhajan | Kusum Chauhan | A Minor | 5 | 8A | 125 BPM | ||
| Kue Pe Lugaiya Dhore | Tarun Baliyan | E♭ Major | 9 | 5B | 139 BPM | ||
| Banna Dekhe Pelau Pel Bail Pe Jhumat Aave Bundeli Geet | Chandra Bhushan Pathak | F Minor | 1 | 4A | 115 BPM | ||
| Kalyug Ki Nare Ramdhai Sabro Dharam Savare Bundeli | Ramesh Vishwakarma | D Major | 7 | 10B | 118 BPM | ||
| Ae Shyam Tere Hum Jabse Diwane | Sheetal Pandey | F Minor | 6 | 4A | 95 BPM | ||
| Apno Braj Dekhan Ko Aaye Jaiyo | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Na Bhoolun Main Tujhko Hey Data Dayalu | Aniruddhacharya Ji Maharaj | D♭ Major | 9 | 3B | 104 BPM | ||
| Guruji Shukar Tera | Chandra Parakash Chauhan | B♭ Minor | 7 | 3A | 140 BPM |