FreQuency's ' "Why Don't You Come Down - ACVD DLC Edition" was released on its scheduled release date, November 28, 2014. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 4 in Day After Day by FreQuency. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Why Don't You Come Down - ACVD DLC Edition's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Why Don't You Come Down - ACVD DLC Edition by FreQuency is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dead Heat | JAMES SHIMOJI | A Major | 9 | 11B | 135 BPM | ||
| Kingdom Valley: Act1 | Audissi Studios | A Minor | 3 | 8A | 120 BPM | ||
| UltraChurch (ULTRAKILL) (Original Game Soundtrack) | Keygen Church | E Major | 10 | 12B | 184 BPM | ||
| World of Chaos | Yasunori Nishiki, Tsutomu Narita, 植松伸夫 | D Major | 7 | 10B | 132 BPM | ||
| Made in Heaven | Vanguard Sound, 赛博传媒-2064 | D♭ Major | 10 | 3B | 175 BPM | ||
| Burning Out the Blue | Tsutomu Narita | B Minor | 9 | 10A | 176 BPM | ||
| Broken Accords | Net-Zone | B Minor | 8 | 10A | 128 BPM | ||
| Ignus | Jeremy Sahl, Justin Sahl | F♯ Major | 10 | 2B | 200 BPM | ||
| We've Got Hostiles | Joel Nielsen | E♭ Major | 9 | 5B | 71 BPM | ||
| Turbulence | SCARLET NEXUS Sound Team | F Minor | 9 | 4A | 176 BPM | ||
| Mars | ALICESOFT | C Major | 4 | 8B | 128 BPM | ||
| Steel Haze | Shoi Miyazawa, Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Why Don't You Come Down | FreQuency | F Major | 7 | 7B | 172 BPM | ||
| Sirius Executives | FreQuency | D Minor | 7 | 7A | 112 BPM | ||
| Vatahenna Lande - Remix | Lakshan Ranasinghe, FreQuency | G Minor | 7 | 6A | 150 BPM | ||
| Band: eScape | THE PRIMALS | D Major | 10 | 10B | 145 BPM | ||
| 全ての人の魂の戦い | 小宮知子 | B Minor | 9 | 10A | 150 BPM | ||
| Waterworks | Brandon McKagan | D♭ Major | 8 | 3B | 161 BPM | ||
| Back and Forth | Takashi Ohmama | D♭ Major | 6 | 3B | 127 BPM | ||
| Return to Oblivion | 祖堅 正慶 | C Major | 10 | 8B | 136 BPM | ||
| Determination Overdrive | SCARLET NEXUS Sound Team | A Minor | 4 | 8A | 113 BPM | ||
| Wakusen | 帆足圭吾 | F Major | 9 | 7B | 176 BPM | ||
| Endwalker - Footfalls | 祖堅 正慶 | D Minor | 3 | 7A | 80 BPM | ||
| Cries Of Coral | Kota Hoshino | B Minor | 8 | 10A | 86 BPM | ||
| Unseen Entities (Merkava Theme) | 来兎 | E Minor | 9 | 9A | 180 BPM |